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A Better Way to Build a Pro-Israel PAC

Posted by steveneidman on March 11, 2010

 

The Jewish Standard

Steven Eidman • Letters

Published: March 4th, 2010

Thank you for your profile of the Joint Action Committee for Political Affairs (JACPAC), and its newly elected president, Clifton resident Gail  Yamner. 

(see http://www.jstandard.com/content/item/pac_head_urges_greater_political_involvement/ )

There are many one-issue pro-Israel PACs that do excellent work in helping to elect candidates who are strong supporters of a close U.S.-Israel relationship.

However, many of these candidates hold views on domestic issues, such as civil and reproductive rights, gun control, and church-state issues, that are at odds with the views of the overwhelming majority of Jewish voters. JACPAC supports a bipartisan slate of candidates who are both strongly pro-Israel and whose stance on domestic issues is more moderate and tolerant.

While a contribution to a single-issue PAC might have previously ended up helping to elect a Jesse Helms or a Tom Delay, and today may go to a Jim Demint, and tomorrow may wind up in the war chest of Sarah Palin, a contribution to JACPAC will go to candidates whose election will be good for Jewish interests in Israel and here at home.

Steven Eidman
Englewood

Posted in Democrats, Israel, Jewish Interest, National Security, Politics | Tagged: , , , , , , , , , , , | Leave a Comment »

Posted by steveneidman on March 3, 2010

The Death of Film Criticism

By Thomas Doherty

“It sucks,” decrees an Internet movie critic, sharing the most common aesthetic reaction in contemporary film criticism. In the viral salon of bloggers and chat-roomers, the finely tuned turns of phrase crafted by an earlier generation of sharp-eyed cinema scribes have been winnowed to a curt kiss-off. In cyberspace everyone can hear you scream. Just log on, vent, and hit send.

The transfer of film criticism from its print-based platforms (newspapers, magazines, and academic journals) to ectoplasmic Web-page billboards has rocked the lit-crit screen trade. Whether from the world of journalism (where the pink slips are landing with hurricane force) or academe (which itself is experiencing the worst job market since the Middle Ages), serious writers on film feel under siege, underappreciated, and underemployed.

The ballast of traditional credentials—whereby film critics earned their bones through university degrees or years at metropolitan dailies—has been thrown overboard by the judgment calls of anonymous upstarts without portfolio but very much with a DSL hotline to Hollywood’s prime moviegoing demographic. In film criticism, the blogosphere is the true sphere of influence.

A sure sign of the bleak diagnosis for the ink-and-paper crowd is the arrival of the sympathy cards. While tanking as a viable livelihood, American film criticism is up to its eyeballs in affectionate, retrospective tributes. In 2006, the Library of America bestowed its seal of approval with American Movie Critics: An Anthology From the Silents Until Now, edited by Phillip Lopate, a professor of creative writing and literature. Scenes of Instruction: The Beginnings of the U.S. Study of Film (University of California Press, 2007), by the film professor Dana B. Polan, and Inventing Film Studies (Duke University Press, 2008), a collection of metacritical articles edited by the film scholars Lee Grievesen and Haidee Wasson, focus primarily on the academic institutionalization of the discipline of film studies, but both also track the deep backstory of a practice as old as the nickelodeon. Forthcoming (April) from Santa Monica Press, the film critic Jerry Roberts’s The Complete History of American Film Criticism lives up to its title with a quick march through every top-billed byline from the Kinetoscope to Blu-ray. Finally, just out in DVD, For the Love of Movies: The Story of American Film Criticism (2009)—a documentary mash note directed and written by the critic-scholar and now filmmaker Gerald Peary, a professor of communications and journalism and longtime film critic at The Boston Phoenix—sounds last call at the wake.

The history lessons are revelatory, both for uncovering the long tradition of discerning film criticism in America (it didn’t start in the 1960s) and for the surprising number of brand-name writers who have slummed as movie reviewers: Carl Sandburg, on the silent screen in The Chicago Daily News in the 1920s (on Garbo: “slim, pale, like willows turning yellow in autumn”); John Updike, who took to the pages of The Boston Globe to defend the Goldie Hawn-Kurt Russell rom-com Overboard (1987) (on Goldie: “a semicomic valentine surrounded by tumble-dried blond hair”).

Turn-of-the-(last)-century critics fixed on film early on as a canvas to mull over and carp about. Watching the Life and Passion of Christ (1903), Joseph Medill Patterson wondered, “Is it irreverent to portray the Passion, Crucifixion, Resurrection, and Ascension in a vaudeville theatre over a darkened stage where half an hour before a couple of painted, short-skirted girls were doing a ’sister act’?” More than one of the pioneers used his perch as a steppingstone to the other side of the screen. D.W. Griffith’s racist hallucination, The Birth of a Nation (1915), was co-written by the film critic Frank E. Woods, though the guild might want to keep quiet about that one. The future playwright and screenwriter Robert E. Sherwood—The Best Years of Our Lives (1946)—first caught Hollywood’s eye for his prescient film commentary. Writing under the heading “The Silent Drama,” he knew the curtain was coming down on pantomime after one listen to The Jazz Singer (1927). “I, for one, suddenly realized that I shall have to find a new name for this department,” he proclaimed.

 The Death of Film Criticism 3
 
 
Walter McBride, Retna

Yet throughout the formative years of 20th-century cinema, most workaday film criticism was dominated by newspaper hacks recruited from the sports beat or trade reviewers with tunnel vision on the ticket window (Variety on Sergey Eisenstein’s Battleship Potemkin (1925): “utterly devoid of entertainment and box office value”). Not until the late 1930s did film critics begin “to break free from the limitations of the traditional film review and explore film criticism as a type of expansive and deeply personally artistic practice,” Haden Guest, director of the Harvard Film Archive, writes in Inventing Film Studies. Among the first standard bearers were Otis Ferguson at The New Republic (“the first working film critic who put everything together,” avers Lopate); Manny Farber (whose paeans to underground films and “termite art” elevated B movies to A-list status); and the poet, journalist, screenwriter, and critic James Agee (to writers on film what Edward R. Murrow is to broadcast journalists).

Appropriately, a congenial place to sample American film criticism is at the movies. Peary’s For the Love of Movies grants film critics star billing. Begun as an homage, however, it plays more as a requiem for the heavyweights of a dying vocation, a film-geek version of The Way We Were. Like Lopate’s anthology and Roberts’s survey, the documentary rewinds the forgotten prehistory of film criticism, but its narrative spine is the legendary grudge match between Andrew Sarris and Pauline Kael, the Tracy and Hepburn—or maybe Trotsky and Stalin—of American film criticism. Kael threw the first punch in her scathing 1963 attack on the cult of the director as auteur, “Circles and Squares,” an essay that launched two birds with one screed—her own as a hit woman not to be crossed, and her target’s, who suddenly found the obscure pieces he published in the low-circulation Film Comment the manifesto of a new credo.

Each corner had a claque of fierce camp followers (dubbed “Paulettes” and “Sarrisites”) who shadowboxed for their mentors. “We made each other, we helped each other,” Sarris admits. “We established a dialectic.” Yet the fact that Sarris speaks for himself in For the Love of Movies and Kael appears only in archival footage creates an unfortunate disequilibrium; the pair were nothing if not evenly matched. Peary started shooting in 2001, by which time Kael was too infirm to participate. (She died of complications from Parkinson’s disease later that year.) Denied the romantic-comedy ending—Andy and Pauline falling into each other’s arms—the viewer is also denied the sight of the lions clawing at each other in winter.

By the 1970s, with the blistering auteur wars ending in a TKO for the Sarrisites, the veterans regrouped just in time to man the barricades for the Second Golden Age of Hollywood. Kael was firing on all cylinders at The New Yorker, defending the kiss-kiss bang-bangers Brian De Palma and Sam Peckinpah, Sarris was obligatory reading in The Village Voice, championing cinephilic New Yorkers like Woody Allen and Martin Scorsese, and across the nation, dozens of newspapers and magazines lent copious space and splashy cover stories to long-form think pieces analyzing filmmakers happy to be hailed as great artists.

Lopate’s collection gives a fair sampling of the gems—Richard Corliss and Richard Schickel at Time, Molly Haskell at The Village Voice, Vincent Canby at The New York Times, and Susan Sontag anywhere. Of course the gauzy flashbacks to a time when voracious moviegoers devoured erudite essays by equally passionate critics is as romantic a conceit as any released by MGM. But the box-office returns accrued by offbeat hits suggest a symbiotic relationship. Cheek-to-cheek, film and film criticism thrived.

Even when Hollywood turned to high-budget but lowbrow blockbusters in the 1980s, film criticism maintained its sharp edge and upward arc. Reviewing the decade, Peary, Lopate, and Roberts all give due regard to the salutary impact of Roger Ebert and Gene Siskel, the Chicago-based tag team whose television point-counterpoint, which made its debut nationally on PBS in 1978, brought a new level of film smarts to a video forum long dominated by dolts in turtleneck sweaters. “At their best, Siskel and Ebert’s lively talks were marked by the immediacy, drama, comedy, intelligence, and surprise of live theatre,” argues Roberts.

Then a different kind of termite art burrowed into the house that film criticism built. In the mid-1990s, the wide-open frontier of the blogosphere allowed young punks who still got carded at the multiplex to leapfrog over their print and video elders on user-friendly sites with hip domain names. If the traditional film critic was a professorial lecturer who lorded his superior knowledge and literary chops over the common rung of moviegoer, the Web slinger was a man-boy of the people, visceral and emotional, a stream-of-consciousness spurter with no internal censor or mute button. Listen to the war cry of the Internet Movie Critic ensconced at http://home.earthlink.net/~usondermann: “What sets me apart from the Siskel & Eberts of this world is a simple truth: I don’t read books!”

The poster boy for the fanboy-as-critic is the bearded, gnomish taste master Harry Knowles. In 1996, Knowles executed an Internet end run around print film critics by setting up his own aisle seat at Ain’t It Cool News (http://aintitcool.com). Soon his site was as coveted an imprimatur as the opposable thumbs of Siskel and Ebert. Knowles boasts two and a half million readers a day—though maybe “hits” is a better measurement—which explains why Hollywood ads are now more likely to quote from Web sites than from print critics.

Predictably, the old guard sees the newbies as semiliterate troglodytes who prowl the viral veld grunting out expletives. “The Internet has made the proliferation of these people possible in a way that it never was before,” rasps Rex Reed in Peary’s film. Schickel concurs: “What I see of Internet reviewing is people of just surpassing ignorance about the medium expressing themselves on the medium.” Many film critics would agree with the condemnation of “the spectacle of 22- and 23-year-old boys taking 40- or 50-year-old artists to task without being able to show a sign of technical knowledge.” (Actually, the Nazi propaganda minister Joseph Goebbels said that last bit after banning uppity critics from Reich newspapers in 1936.)

Defenders of the bloggers, texters, and tweeters laud the democratization of opinion and the instant access to inside dope. (Many Web-based critics have few qualms about pirated scripts and studio screeners.) Untethered to the industry and not co-opted by plush press junkets, the argument goes, the unpaid fan-bloggers are more independent, more honest, and more in sync with the mass audience than the jaded sexagenarians. Moreover, purely as a media forum for cinematic analysis, the widescreen Net blows away the printed page, offering unlimited space for analysis, links to like-minded sites, and photo “captures” and streaming clips for illustration. The bloggers get the info out first and fast, the readership bookmarks its own comfort zones, and critic and reader begin a two-way conversation that collapses the distinction between interlocutors. The print-bound critics are lumbering dinosaurs grousing about their own extinction. Survival of the fittest, gramps.

To watch their backs and retain their 401(k)’s, most print critics have been forced into sleeping with the enemy. As a form of ancillary outreach, blogs, podcasts, and chat-room discussions have become a required part of the job description for print reviewers. Or maybe the print part of the gig is now the ancillary outreach.

Feeling the same heat, academic critics have also plunged into the brash new world. The film-studies panjandrum David Bordwell—think Knowles with chops in postmodern theory—runs one of the most closely watched blogs at David Bordwell’s Website on Cinema (http://davidbordwell.net/blog). The impact of the academic bloggers on Hollywood’s box-office gross is negligible (sorry, David), but the online work of the digital hordes is already making a substantial contribution to film scholarship—in the spirited parry and thrust of the dialogues, in the instant retrieval of past research, and in the factoid jackpots provided by the film databases.

The problem, however, especially for graduate students and younger scholars, is that the powers that be in academe still have not sussed out how to calibrate the value of online work in decisions about hiring, tenure, and promotion, how to weigh the contributions on Web sites like Sense of Cinema (http://sensesofcinema.com) and FlowTV (http://flowtv.org) against peer-reviewed brands like Cinema Journal and the Historical Journal of Film, Radio, and Television. Is heavy Web-site traffic the modern version of frequent citation from respected colleagues? Is a year in harness as a conscientious Webmaster equal to the publication of a scholarly article? Not yet, but the hoary admonition to “publish or perish” may soon morph into “post or perish.”

For the print-minded film critic who refuses to evolve, the writing is on the digital wall. The jacket cover for Lopate’s anthology shows a pair of analog antiques: a creaky 35 millimeter projector and a clunky manual typewriter. The freeze frame closing out Peary’s film shows Sarris, clutching a cane, and Molly Haskell under a theater marquee, as if about to enter their last picture show.

Not good omens for a craft rooted in the literary grace and humanist sensibility of the revered Agee. “The Italian made Shoeshine is about as beautiful, moving, and heartening a film as you are ever likely to see,” he confided to his readers in 1947, in full swoon over Italian neo-Realism. “I will review it when I am capable of getting more than that into coherent language and feasible space.”

Coherent language within feasible space—words to write by, even when the prose is no longer bound by linear rhetoric and finite column inches. The demise of that tradition of film criticism would really suck.  

Posted in Film, Politics, Steven Eidman, art, arts, celebrity, culture, economics, economy, history, literature | Tagged: , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Posted by steveneidman on March 3, 2010

One Strange Fish Tale

By Peter Schmidt

     
The Rainbow Trout's Story Is One Strange Fish Tale 1 
Benjamin Rasmussen

Behold the regal rainbow trout, dappled denizen of deep lake and rushing river, fierce hunter of fish and fly—and prize of pork-barrel politics, invigorator of men, eradicator of native species, payload of numerous bombing missions.

An angler can catch a lot of rainbow trout and yet have no clue what a remarkable force of nature—and mankind—the creatures truly are. Anders Halverson, a research associate at the University of Colorado’s Center of the American West, hoists them up for close inspection in a book just released by Yale University Press: An Entirely Synthetic Fish: How Rainbow Trout Beguiled America and Overran the World. 

 

Few one-that-got-away stories sound nearly as improbable as his account of how our species, Homo sapiens, spread the fish species, Oncorhynchus mykiss, beyond its native range.

Consider that as of the 1870s, the rainbow trout and its sea-run variant, the steelhead, lived only along the Pacific Rim, from California to Russia’s Kamchatka Peninsula. Since then, Halverson says, the fish “have been introduced to every state in the United States and to at least 80 different countries on every continent except Antarctica,” an expansion of range that took humans, corn, sheep, and dogs thousands of years to achieve.

Halverson offers statistics that illustrate how much humans are still involved in the spread of rainbow trout: For each of the roughly four million people born in the United States each year, he says, state and federal hatcheries stock about 20 of the fish in public waters. Most of them being mature, they weigh a total of about 25 million pounds.

Why make such an investment in spreading this one species of fish? It grows rapidly in hatcheries and withstands warmer waters and more-difficult conditions than other trout. Perhaps more important, Halverson says, the stocking of rainbow trout—which fight hard and leap acrobatically when hooked—has “satisfied a powerful human need”: the primal urge to seek out and battle prey.

Halverson’s book is a microhistory, an examination of America’s involvement with a favored fish that sheds light on broader truths regarding our recent relationship with the natural world.

He says he fished for stocked rainbow trout while growing up in Colorado but eventually got bored with the pursuit and thought little of the fish until he became a graduate student in aquatic ecology at Yale University, where he earned his doctorate in 2005. At Yale “I came to realize there is a real paradox to the way so many fisheries are managed these days,” he says. “Like most fishermen, I see fishing as a way to escape civilization and industrialization, and a way to sort of make peace with the natural world.” Yet most rainbow trout, being either the products of hatcheries or the descendants of hatchery fish, “are in many ways a product of that industrialization.”

He decided to write a book examining the artificial spread of the rainbow trout and obtained a National Science Foundation grant to help finance the undertaking. He initially expected the project to be mainly an exercise in muckraking (he had worked as a newspaper reporter before going to graduate school). But “the more people I met and the more people I interviewed,” he says, “the more I realized what a complex topic this is.” Although he came across case after case in which efforts to spread the trout led to environmental disasters, his book generally does not paint those involved as fools or villains.

When it comes to government policy regarding trout, he says, “there are a lot of issues for which there are no clear answers.” He points to the dilemma posed by rainbow trout’s ability to mate with the increasingly rare—and unhealthily inbred—cutthroat trout of the American West. Such interbreeding is causing cutthroats to become even rarer as a distinct species, but the purebred cutthroat population is having so much trouble surviving on its own that hybridization might represent the single best hope of passing the fish’s genes along to future generations. It is unclear whether the long-term survival of cutthroats requires keeping rainbows at a distance or bringing the two species together.

The oddest specimens in An Entirely Synthetic Fish are the people. They include Livingston Stone, a New Hampshire pastor who abandoned the pulpit to raise brook trout on a fish farm, then ventured to California in the 1870s, initially to set up a federal salmon hatchery in the Sacramento River Valley. He encountered the rainbow trout and ended up propagating that species in a hatchery on the McCloud River, where he lived under threat of attack by outlaws and members of the Wintu tribe. In one report on his activities, he remarked, “With tarantulas, scorpions, rattlesnakes, Indians, panthers and threats of murder our course here is not wholly over a path of roses.”

Among others described in Halverson’s book is Al Reese, a crop duster and barnstormer who in the late 1940s helped persuade California’s Department of Fish and Game to drop rainbow trout into mountain lakes from the air. (He tested the fishes’ ability to survive the trip partly by holding live specimens out a car window at 70 miles per hour.) The state agency recruited World War II pilots and purchased surplus military airplanes to dump the fish, generally from about 200 feet. Many of the trout died on impact with the water or ended up stuck in trees, but enough survived to inspire the agency to similarly drop turkeys, partridges, and even beaver (in burlap sacks attached to parachutes). About 50 years later, the agency learned that it had gone overboard with its fish-bombing runs, inadvertently ridding lakes of rare frogs, which the fish had devoured, and filling some lakes with so many trout that their growth was stunted from too much competition for food.

California fish-and-game officials are hardly the only ones who eventually altered trout-stocking policies in response to evidence of money wasted or doing more harm than good.

The book devotes a chapter to the U.S. Fish and Wildlife Service’s decision in 1962 to deliberately poison the Green River in Utah and Wyoming to wipe out the native fish and make room for rainbows. At the time, few in the agency questioned the idea of pouring huge amounts of the piscicide rotenone into a body of water. Since 1952 federal and state fisheries managers had used the chemical, which kills anything with gills, to clear the way for rainbow trout and other game fish in a long list of rivers and lakes around the nation, even within national parks.

A few scholars at Colorado State University and the University of Utah spoke out against the Green River plan and subsequently complained of efforts by state and federal agencies to shut them up by threatening to cut off grants to their institutions. Many of those involved in the river poisoning lived to regret it, for it ended up being a disaster for both the environment and public relations.

The project’s planners assumed they would be able to keep the keep the river from carrying the rotenone into Dinosaur National Monument park by having workers neutralize the poison upstream from the park with potassium permanganate, but they were wrong. When dead fish turned up in the park, the Fish and Wildlife Service found itself in the cross hairs of the National Park Service. Perhaps even more important, about three weeks after the incident, Rachel Carson published Silent Spring, helping spawn an environmental movement that barraged officials in Washington with angry letters about the Green River kill.

The secretary of interior at the time, Stewart Udall, responded by curbing the use of rotenone by federal agencies and calling for the welfare of unique species to be a “dominant consideration” in such projects from then on. All four of the chief so-called trash fish that the Green River poisoning sought to kill—the humpback chub, the bonytail, the razorback sucker, and the Colorado pikeminnow—now have a place on the federal endangered-species list. The federal government has spent more than $100-million trying to save them.

An Entirely Synthetic Fish recounts many other governmental attempts at improving nature that went awry. In the 1960s, for example, researchers discovered that stocking a river with hatchery trout can decimate the wild trout population and actually leave it with fewer trout over all; the hatchery fish aggressively compete with the locals for food, and many end up being eaten themselves because they seem to associate the shadows of predators with those of hatchery workers tossing kibble. Beginning in the late 1980s, the Colorado Division of Wildlife inadvertently unleashed trout epidemics by stocking rivers with rainbows infected with parasite-born whirling disease, which leaves its victims disfigured and prone to swimming in tight circles.

The book also compellingly traces how the nation’s attitudes toward fishing have varied over time. In the 17th century, the leaders of the Massachusetts Bay Colony regarded fishing with a hook and line as an exercise in idleness deserving punishment. During and just after the American Revolution, fishing suffered a similar image problem, thanks to its association with the English aristocracy. Beginning in the mid-1800s, however, interest in sport fishing boomed as it gained status as a diversion for the wealthy and came to be viewed as a pursuit that helped keep men virile and in touch with nature. Politicians eager to take credit for bringing hatchery jobs and better fishing to their states happily supported federal efforts to stock waters with game species.

Throughout much of America, one can still encounter the absurd sight of fishermen gathered on riverbanks next to hatchery trucks, hoping to catch naïve rainbow trout minutes after they are stocked. While not exactly shooting fish in a barrel, perhaps no other experience comes as close.

For his part, Halverson is attempting to restore the populations of rarer species of trout by, counterintuitively, encouraging people to fish for them. Taking a cue from the culture of birdwatchers, many of whom will travel long distances to add to their “life list” of species they have seen, he has set up a Web site that encourages anglers to catch and release as many species as they can. His logic is that if enough people roll into small towns and say they are out to hook rare fish species X or Y, the local chambers of commerce will get word, and new constituencies will be created to lobby for the fish’s restoration.

Writing An Entirely Synthetic Fish has renewed his own interest in angling, both for rainbows and for other trout, Halverson says. “I actually love fishing again. You pick one of these rainbows up, and it is just a book that says so much about us.”

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Posted by steveneidman on March 3, 2010

Warning: Your Reality is Out of Date.

Introducing the Mesofact

By Samuel Arbesman  

When people think of knowledge, they generally think of two sorts of facts: facts that don’t change, like the height of Mount Everest or the capital of the United States, and facts that fluctuate constantly, like the temperature or the stock market close.

But in between there is a third kind: facts that change slowly. These are facts which we tend to view as fixed, but which shift over the course of a lifetime. For example: What is Earth’s population? I remember learning 6 billion, and some of you might even have learned 5 billion. Well, it turns out it’s about 6.8 billion.

Or, imagine you are considering relocating to another city. Not recognizing the slow change in the economic fortunes of various metropolitan areas, you immediately dismiss certain cities. For example, Pittsburgh, a city in the core of the historic Rust Belt of the United States, was for a long time considered to be something of a city to avoid. But recently, its economic fortunes have changed, swapping steel mills for technology, with its job growth ranked sixth in the entire United States.

These slow-changing facts are what I term “mesofacts.” Mesofacts are the facts that change neither too quickly nor too slowly, that lie in this difficult-to-comprehend middle, or meso-, scale. Often, we learn these in school when young and hold onto them, even after they change. For example, if, as a baby boomer, you learned high school chemistry in 1970, and then, as we all are apt to do, did not take care to brush up on your chemistry periodically, you would not realize that there are 12 new elements in the Periodic Table. Over a tenth of the elements have been discovered since you graduated high school! While this might not affect your daily life, it is astonishing and a bit humbling.

For these kinds of facts, the analogy of how to boil a frog is apt: Change the temperature quickly, and the frog jumps out of the pot. But slowly increase the temperature, and the frog doesn’t realize that things are getting warmer, until it’s been boiled. So, too, is it with humans and how we process information. We recognize rapid change, whether it’s as simple as a fast-moving object or living with the knowledge that humans have walked on the moon. But anything short of large-scale rapid change is often ignored. This is the reason we continue to write the wrong year during the first days of January.

Our schools are biased against mesofacts. The arc of our educational system is to be treated as little generalists when children, absorbing bits of knowledge about everything from biology to social studies to geology. But then, as we grow older, we are encouraged to specialize. This might have been useful in decades past, but in our increasingly fast-paced and interdisciplinary world, lacking an even approximate knowledge of our surroundings is unwise.

Updating your mesofacts can change how you think about the world. Do you know the percentage of people in the world who use mobile phones? In 1997, the answer was 4 percent. By 2007, it was nearly 50 percent. The fraction of people who are mobile phone users is the kind of fact you might read in a magazine and quote at a cocktail party. But years later the number you would be quoting would not just be inaccurate, it would be seriously wrong. The difference between a tiny fraction of the world and half the globe is startling, and completely changes our view on global interconnectivity.

Mesofacts can also be fun. Let’s focus for a moment on some mesofacts that can be of vital importance if you’re a child, or parent of a child: those about dinosaurs. Just a few decades ago, dinosaurs were thought to be cold-blooded, slow-witted lizards that walked with their legs splayed out beside them. Now, scientists think that many dinosaurs were warm-blooded and fast-moving creatures. And they even had feathers! Just a few weeks ago we learned about the color patterns of dinosaurs (stripes! with orange tufts!). These facts might not affect how you live your life, but then again, you’re probably not 6 years old. There is another mesofact that is unlikely to affect your daily routine, but might win you a bar bet: the number of planets known outside the solar system. After the first extrasolar planet around an ordinary star made headlines back in 1995, most people stopped paying attention. Well, the number of extrasolar planets is currently over 400. Know this, and the next round won’t be on you.

The fact that the world changes rapidly is exciting, but everyone knows about that. There is much change that is neither fast nor momentous, but no less breathtaking.

 

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Posted by steveneidman on February 26, 2010

  An In-Depth Look At the Federal Budget

by Hale “Bonddad” Stewart

This week, the president announced the creation of a panel to look at the federal budget. As such, it seems appropriate to look at the federal budget in detail to get a sense of what’s there. All of the information contained in the graphs that follow is available from the CBO. Please click on all images to see a larger image. Also, all data starts in 1970 and goes through fiscal 2009.
The US has run a surplus 4 years since 1970, or about 10% of the time. Over those 39 years we’ve had Republican and Democratic control of both the White House and Congress. This leads to a very simple conclusion: no party can make a legitimate claim to being fiscally responsible.
Above is a chart of the total deficit for each year going back to 1970. First, note (again) only four years show a surplus. This means that for 35 years (and in fact for a longer period) the US has issued debt on a continuing basis to pay for its revenue shortfall. This means the US — like most US corporations — has to manage its Treasury operations. All this means is the US Treasury has to decide what maturity of Treasury bond to issue, how much of a particular Treasury bond to issue and when to issue it. Again, this is standard procedure from a corporate finance perspective.$12.4 trillion and total US GDP is approximately $14.4 trillion. That makes the debt/GDP ratio 86%. While that is not good, it is not fatal.
Above is a chart of total federal outlays as a percent of GDP. Notice the number has been remarkably constant since 1970, fluctuating right around 20% for most of that time.
Personal income taxes (the top blue line) comprise the largest percentage of federal tax receipts. In addition, these have continually comprised about 45%-50% of total federal receipts. The biggest change since 1970 has occurred in social insurance taxes (the yellow line), which have increased from a little over 20% to about 35%-40% over the last 10 years. Corporate taxes (the light purple line) have also been consistently responsible for about 10% of total tax receipts. Finally, note that estate and gift taxes (the light blue line at the bottom of the graph) overall contribution is more or less negligible on a percentage basis.
The above chart looks at federal receipts from a percent of GDP basis. Fist, note the percentages have been fairly consistent since 1970. Personal income taxes total between 8%-10% of GDP, corporate taxes total about 2% of GDP and estate and gift taxes account for less than 1% of GDP. The only big change has been an increase in social insurance taxes, which have increased to about 6% of GDP.
The above chart breaks federal spending down into mandatory, discretionary and interest payments. Mandatory spending has increased from a little under 40% of the federal budget in 1970 to right around 60% over the last few years. Discretionary spending has decreased from right around 60% in 1970 to a little under 40% over the last few years. The progression of mandatory spending is at the center of much of the budgetary concern in Washington and the public.
Above is a chart of the 10-year CMT (constantly maturing treasury). Interest rates have been dropping for about 20 years. While there is considerable debate regarding the possibility of this continuing, we’ll have to wait and see how that plays out.
Above is a chart of mandatory and discretionary spending as a percent of GDP. Interestingly enough, despite the increase in the dollar amount of discretionary spending, it has remained more or less constant on a percent of GDP basis. The recent spike may be the result of the extraordinary budgetary circumstances the country is currently in. Additionally, discretionary spending actually dropped until the beginning of the decade when it started to rise again. Finally, interest payments are under control for now.

Let’s start with a chart of government revenues and expenditures, starting in 1970:

Currently, total US debt is approximately

Let’s take a look at the components of federal revenue.

Finally, note that interest payments are in fact pretty much under control. The primary reason for this is the near 20 year downward trajectory in interest rates:

Finally, the chart above shows the percentages of SS, Medicaid and Medicare of mandatory spending. The big issue here is clear: note the increase of medicare as a percentage of mandatory spending. It’s been increasing for some time.

So, what does all of this tell us about the US budget?

1.) The total federal debt/GDP ratio and interest rate payments (both on a percent to total expenditures and percent of GDP) are manageable at current levels. All of this has been aided by a two decade long decrease in interest rates. It’s doubtful that will continue given the current pace of expenditures. Most importantly, given the current rate of spending and debt growth, changes will have to be made once we are out of the recession for sure. And that’s where the real political problem lies.

2.) While mandatory spending has remained constant as a percent of GDP, it’s increase to about 60% of the current federal budget is perhaps the biggest problem the US faces going forward. And as the percentage increase in medicare payments indicates, medical payments are a primary reason for the problems the country faces at the federal fiscal level.

3.) The argument that the US is taxed to death is wrong. On a percent of GDP basis the US is taxed at moderate rates.

4.) I’m surprised how unimportant estate and gift taxes are to the overall scheme of things. Even before the generous estate tax credit of the last few years (essentially exempting estates worth less than $3.5 million), estate and gift taxes are remarkably unimportant from a total revenues perspective. It’s obvious they serve another purpose such as the theoretical prevention of dynastic wealth transfer.

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The Problem With Political Reporting

Posted by steveneidman on February 22, 2010

The Quest for Innocence and the Loss of Reality in Political Journalism

by Jay Rosen of PressThink

This is a post about a single line in a recent article in the New York Times: Tea Party Lights Fuse for Rebellion on Right.

Before I get to the line that interested me, I need to acknowledge that the investigation the Times undertook for this article is wholly admirable and exactly what we need professional journalists to be doing. Reporter David Barstow spent five months—five months!—reporting and researching the Tea Party phenomenon.

He went to their events. He talked to hundreds of people drawn into the movement. He watched what happens at their rallies and the smaller meetings where movement politics is transacted. He made himself fully literate, learning the differences between the Tea Party and the Patriot movements, reading the authors who have infuenced Tea Party activists, getting to know local leaders and regional differences, building up a complex and layered portrait of a political cohort that doesn’t fit into party politics as normally understood.

This is original reporting at a very high level of commitment to public service; it is expensive, difficult, and increasingly rare in a news business suffering under economic collapse.

So I want to make it absolutely clear that I treasure this kind of journalism and indeed devoured Barstow’s report when it came online. (Although I wish it had been twice as long.) And I have no problem with his decision to confine himself to description of the Tea Party movement, rather than evaluating its goodness or badness. The first task is to understand, and that is why we need reporters willing to go out there and witness the phenomenon, interview the participants, pore over the texts and struggle with their account until they feel they have it right.

“A narrative of impending tyranny.”

As Barstow said in an interview with Columbia Journalism Review, “If you spend enough time talking to people in the movement, eventually you hear enough of the same kinds of ideas, the same kinds of concerns, and you begin to recognize what the ideology is, what the paradigm is that they’re operating in.” The key words are spend enough time and begin to recognize.

Now to the part that puzzles me:

It is a sprawling rebellion, but running through it is a narrative of impending tyranny. This narrative permeates Tea Party Web sites, Facebook pages, Twitter feeds and YouTube videos. It is a prominent theme of their favored media outlets and commentators, and it connects the disparate issues that preoccupy many Tea Party supporters — from the concern that the community organization Acorn is stealing elections to the belief that Mr. Obama is trying to control the Internet and restrict gun ownership.

Running through it is a narrative of impending tyranny…That sounds like the Tea Party movement I have observed, so the truth of the sentence is not in doubt. But what about the truth of the narrative? David Barstow is a Pulitzer Prize winning investigative reporter for the New York Times. He ought to know whether the United States is on the verge of losing its democracy and succumbing to an authoritarian or despotic form of government. If tyranny was pending in the U.S. that would seem to be a story. The New York Times has done a lot of reporting about the Obama Administration, but it has been silent on the collapse of basic freedoms lurking just around the corner. Barstow commented on the sentence that disturbed me in his interview with CJR:

The other thing that came through was this idea of impending tyranny. You could not go to Tea Party rallies or spend time talking to people within the movement without hearing that fear expressed in myriad ways. I was struck by the number of people who had come to the point where they were literally in fear of whether or not the United States of America would continue to be a free country. I just started seeing that theme come up everywhere I went.

It kept coming up, but David… did it make any sense? Was it grounded in observable fact, the very thing that investigative reporters specialize in? Did it square (at all) with what else Barstow knows, and what the New York Times has reported about the state of politics in 2009-10? Seriously: Why is this phrase, impending tyranny, just sitting there, as if Barstow had no way of knowing whether it was crazed and manipulated or verifiable and reasonable? If we credit the observation that a great many Americans drawn to the Tea Party live in fear that the United States is about to turn into a tyranny, with rigged elections, loss of civil liberties, no more free press, a police state… can we also credit the professional attitude that refuses to say whether this fear is reality-based? I don’t see how we can.

As a matter of reported fact

Now we can predict, with a reasonable degree of confidence, what the reply would be from the reporter, his editors (who are equally involved here, as the Times is a very editor-driven newspaper) and his peers in the press. The reply is the reply that is given by the common sense of pro journalism as it is practiced in the United States. “This was a news story, an attempt to report what’s happening out there, as accurately and fairly as possible. Which is not the place for the author’s opinion.” Or: “I was trying to describe the Tea Party movement, and to understand it, which is hard enough; I’ll let others judge what to make of it.”

Sounds good, right? But this distinction, between fact and opinion, description and assessment, is not what my question is about. It may appear to be responsive, but it really isn’t. The price of liberty is eternal vigilance, but… as a matter of reported fact, is the United States actually on the verge of tyranny? That is my question. Would a fair description of the American political scene by the Washington bureau and investigative staff of the New York Times lend support to the “impending tyranny” narrative that Barstow observed as a unifying theme in the Tea Party movement?

It’s a key point, so let me state it again: Based not on a subjective assessment of the Tea Party’s viability or his opinion of its desirability but only on facts he knows about the state of politics and government since Obama’s election, is there any substantial likelihood of a tyranny replacing the American republic in the near future?

I think it’s obvious—not only to me but to Barstow and the journalist who interviewed him for CJR—that the answers are “no.” For if the answers were “yes” it would have been a huge story! No fair description of the current scene, nothing in what the Washington bureau and investigative staff of the New York Times has picked up from its reporting, would support a characterization like “impending tyranny.”

In a word, the Times editors and Barstow know this narrative is nuts, but something stops them from saying so— despite the fact that they must have spent over $100,000 on this one story. And whatever that thing is, it’s not the reluctance to voice an opinion in the news columns, but a reluctance to report a fact in the news columns, the fact that the “narrative of impending tyranny” is ungrounded in any observable reality, even though the sense of grievance within the Tea Party movement is truly felt and politically consequential.

A faltering sense of reality

My claim: We have come upon something interfering with political journalism’s “sense of reality” as the philosopher Isaiah Berlin called it (see section 5.1) And I think I have a term for the confusing factor: a quest for innocence in reportage and dispute description. Innocence, meaning a determination not to be implicated, enlisted, or seen by the public as involved. That’s what created the pattern I’ve called “regression to a phony mean.” That’s what motivated the rise of he said, she said reporting.

I explained the quest for innocence in a 2008 essay on campaign coverage for tomdispatch.com. (It also ran in Salon.)

But the biggest advantage of horse-race journalism is that it permits reporters and pundits to play up their detachment. Focusing on the race advertises the political innocence of the press because “who’s gonna win?” is not an ideological question. By asking it you reaffirm that yours is not an ideological profession. This is experienced as pleasure by a lot of mainstream journalists. Ever noticed how spirits lift when the pundit roundtable turns from the Middle East or the looming recession to the horse race, and there’s an opportunity for sizing up the candidates? To be manifestly agenda-less is journalistic bliss. Of course, since trying to get ahead of the voters can affect how voters view the candidates, the innocence, too, is an illusion.

The quest for innocence in political journalism means the desire to be manifestly agenda-less and thus “prove” in the way you describe things that journalism is not an ideological trade. But this can get in the way of describing things! As it did in Barstow’s account. Now let’s speed up the picture and imagine how this interference in truth-telling happens routinely, many times a day over years and years of reporting on politics. What’s lost is that sense of reality Isaiah Berlin talked about. In its place is savviness, the dialect of insiders trying to persuade us that they know how things really work. Nothing is more characteristic of the savvy style than statements like “perception is often reality in politics.”

“For some reason, American political coverage is exempt.”

And in fact frustrated observers of political journalism have complained about this loss of the real. The latest to groan about it is George Packer in the New Yorker. He was commenting on how David Broder of the Washington Post, the dean emeritus of political reporters, had written a surreal column about Sarah Palin that nonetheless seemed entirely normal if you know the genre:

Broder wasn’t analyzing Palin’s positions or accusations, or the truth or falsehood of her claims, or even the nature of the emotions that she appeals to. He was reviewing a performance and giving it the thumbs up, using the familiar terminology of political journalism. This has been so characteristic of the coverage of politics for so long that it doesn’t seem in the least bit odd, and it’s hard to imagine doing it any other way.

Italics mine. Packer’s point becomes clearer when he transplants this kind of reportng to Afghanistan with the sense of reality dropped out. “Imagine Karzai’s recent inaugural address as covered by a Washington journalist,” he writes:

“Speaking at the presidential palace in Kabul, Mr. Karzai showed himself to be at the top of his game. He skillfully co-opted his Pashtun base while making a powerful appeal to the technocrats who have lately been disappointed in him, and at the same time he reassured the Afghan public that his patience with civilian casualties is wearing thin. A palace insider, who asked for anonymity in order to be able to speak candidly, said, “If Karzai can continue to signal the West that he is concerned about corruption without alienating his warlord allies, he will likely be able to defuse the perception of a weak leader and regain his image as a unifying figure who can play the role of both modernizer and nationalist.” Still, the palace insider acknowledged, tensions remain within Mr. Karzai’s own inner circle.

This sounds like politics the way our journalists narrate it, but as Packer notes, “A war or an economic collapse has a reality apart from perceptions, which imposes a pressure on reporters to find it. But for some reason, American political coverage is exempt.” Exactly. That’s the exemption Barstow was calling on when he wrote. “… running through it is a narrative of impending tyranny.” Somehow the reality that this narrative exists as a binding force within the Tea Party movement is more reportable than the fact that the movement’s binding force is a fake crisis, a delusion shared.

I leave you with a question: how the hell could this happen?

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Posted by steveneidman on February 22, 2010

Mo Vaughn’s Home Runs

By Amanda Fung

Six months after Mo Vaughn set up Omni New York in 2004, the fledgling real estate firm struck, snapping up a 286-unit affordable housing complex in the Bronx. By the end of its second year, Omni New York had tripled its holdings to a total of 869 units.

As far as most people were concerned, however, Mr. Vaughn was still a Mets first baseman, even though his baseball career ended in 2003.

“I wanted people to take us seriously and know that we were the real deal,” says Mr. Vaughn, who is seated at a Brooklyn eatery with his partner, Eugene Schneur, explaining his transition from baseball hero to real estate mogul—albeit one whose new uniform includes not just sharply tailored suits but large diamond-encrusted hoop earrings. “I wanted respect.”

These days he’s got it—not as the American League’s former MVP but as the managing director of one of the city’s best-regarded and most active buyers and managers of affordable housing. Along the way, Mr. Vaughn and company have earned a place as one of the city’s top choices for turning around distressed residential properties.

Today Omni ranks as a midsize firm capable of competing with the bigger players, swallowing up sprawling properties such as the decrepit 14-building, 416-unit complex in the South Bronx that Omni bought the mortgage on at a foreclosure auction—with the city’s blessing—in December. “Given their track record, they are ideally suited to deal with troubled projects,” says NYC Housing Preservation and Development Commissioner Rafael Cestero.

Since 2004, Omni has spent over $500 million buying and rehabilitating 21 affordable-housing buildings with a total of nearly 3,500 units in the Bronx, Brooklyn, Long Island and as far away as Wyoming. The majority of the buildings they own and manage are Section 8 buildings, whose low-income tenants rely on federal vouchers to help pay their rent. Omni finances its deals using tax-exempt bonds and the proceeds from the sale of low-income-housing tax credits.

Making money and doing good

That is exactly what it did when it acquired the Noble Drew Ali Plaza in the Brownsville section of Brooklyn—the 2007 deal that put Omni on the map. At the time, the five-building complex with 358 units was a haven for drug dealers and addicts, its hallways urine-soaked and graffiti-lined and its apartments crumbling.

Omni purchased the property out of bankruptcy for $23 million with financing from various city agencies, including HPD, as well as federal grants. The developer then poured $25 million into refurbishing everything from new elevators and energy-saving appliances to 326 security cameras. After two years of work, Messrs. Schneur and Vaughn capped off the revitalization by giving the complex a new handle: “The Plaza.”

“Noble Drew Ali, without a doubt, was one of the most complicated projects [we've seen],” says Mr. Cestero. “They restored it to a quality place for people to live by taking a very aggressive approach to renovating buildings.”

Today Mr. Vaughn, who played for the Boston Red Sox in the 1990s, spends most of his time on the operations side of the business, working with Omni’s construction, management and maintenance teams, while Mr. Schneur focuses on the dealmaking.

“I’m the eyes,” said Mr. Vaughn, who got his start in real estate by investing in Manhattan nightclubs with help from Mr. Schneur, then his attorney. “I make sure that everything that needs to get done gets done.”

In fact, Omni was his idea. In Ohio, where Mr. Vaughn spent his off-seasons, he met a developer successfully buying affordable housing using tax credits and decided to try the concept out in New York.

“They are smart people,” says Lisa Gomez, executive vice president of affordable housing developer L+M Development Partners. “They get how to do affordable housing and look to the double bottom line [of making money and doing good].”

Size doesn’t matter

But competition for distressed properties is increasing as the drought in luxury housing deals drags on. Meanwhile, the price of tax credits—a key currency in such deals—has plummeted by nearly a third, forcing Omni to scramble for more state and city subsidies to fill the gap.

“We used to be able to get deals done without subsidies,” says Mr. Schneur.

Omni’s rapid growth also presents challenges. By year’s end, it expects to have close to 5,000 units. For a firm whose two founders visited their early holdings as many as four times a week, the sheer scale of the portfolio now makes maintaining that degree of oversight difficult—even with the aid of a staff at its midtown headquarters that now numbers about 120.

“We can’t cut corners and be complacent,” says Mr. Vaughn. “If we continue to be humble and work hard, we will be fine.”

In fact, Mr. Vaughn and his partner are stepping up their act. Prior to the market collapse, Omni had been priced out of Manhattan. Mr. Schneur recalls one deal where Omni bid $20 million for a Manhattan building that went for $30 million.

Last month, Omni had better luck, buying its first Manhattan properties—two Section 8 buildings in Harlem with 53 units—for $5.5 million. Now, as a number of big, financially troubled properties, including Lawrence Gluck’s 1,230-unit Riverton in Harlem, make their way through foreclosure, they are weighing a bid. Even Manhattan’s vast middle-income oasis Stuyvesant Town-Peter Cooper Village looms as a potential target.

“Size doesn’t matter,” says Mr. Vaughn. “They fit within our philosophy of preserving decent affordable housing.”

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Close of the Golden Age of Am Lit

Posted by steveneidman on February 16, 2010

Masters of American Literature

by Mark Lawson

  
American Writer Norman Mailer

Norman Mailer speaking at a protest against the war in Vietnam. Photograph: JP Laffont/Sygma/Corbis

January 27 is becoming a black-letter day in American literature. On that day in 2009, John Updike died and, this year, the first ­anniversary of that loss was marked by the news that JD Salinger was dead. It’s an artificial coincidence – of a sort that authors as good as Updike and Salinger would have scorned in their stories – but the deaths in close succession of members of the literary generations born in the 1910s, 20s and 30s do have a symbolic significance. If we add the deaths within four months of 2007 of Norman Mailer and Kurt Vonnegut – members with Salinger of the set of major American writers formed by service in the second world war – it’s clear that an era in American literature is coming to a close.

There is an obvious temptation to believe that the authors who have recently died form – with others who fought in the war (such as Saul Bellow and Gore Vidal) or were teenagers in America during it (Philip Roth) – the greatest literary generation the country has ever seen or ever will see. This triumphalist but nostalgic position holds that these writers took advantage of their nation’s geopolitical power – and a media culture and bookstore customer-base which regarded serious writers ­seriously – to create a superpower of the pen to match the financial and military clout of the US during what became known as the American century.

The counter-argument is that this army of old soldiers was very male and masculine and white in its concerns – tempered only by a grudging, late admission to the halls of fame of writers such as Toni Morrison and Joyce Carol Oates – and that the standard narrative of 20th-century American literature is partial and distorted. This case is made persuasively in Elaine Showalter’s recent book: A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx.

These contrasting presentations of recent American letters are explored in Capturing America, an eight-part Radio 4 series on which I’ve been working for several years. And – even before the death of Salinger during final editing – there had been melancholy signs that this was the right time to take stock. The programmes contain the final ­major interviews with Mailer, Vonnegut and Updike. The latter seemed healthy and energetic in the BBC’s New York studio in the autumn of 2008 as he discussed his life-time mission to write “an alphabet of novels”. But The Widows of Eastwick, three short of the intended 26 full-length fictions from this man of letters, became the last when he was diagnosed, just 10 days after our conversation (according to the dated poems in Endpoint, his final volume of verse) with the pneumonia that would lead to diagnosis of lung cancer and his death on the date that lay in wait for Salinger 12 months later. When I began to think about the series, the question of who was America’s greatest living novelist would spark lively debate at a book festival. On the eve of transmission, that medal automatically defaults to Philip Roth.

There were other signs that this was the right time to analyse Am lit. Updike, in that last interview, reflected on having twice been pictured on the cover of Time magazine, part of the nation’s honours system, to mark the publication of Couples in 1968 and Rabbit Is Rich in 1982. Now, the novelist who takes that prize is Dan Brown. And so the changing of the guard in American fiction is arguably not just generational but cultural: the large, interested readership who lined their shelves with Updike’s Rabbit Quartet, Bellow’s Herzog, Mailer’s The Naked and the Dead, Roth’s Portnoy’s Complaint and other bestsellers of serious literary merit had perhaps migrated to the quick-read thriller and the confessional memoir.

Any overview is immediately subject to accusations of oversight which are followed just as inevitably by a defence of compression; but my definition of modern American literature concentrates on authors whose first work appeared after 1945, which was, in so many ways, a break-through date.

Roth, in The Plot Against America, imagines that a protectionist government prevented the US from entering the second world war when it did. But, if this had been historical reality, The Plot Against America is not the only major American novel we might now lack. The major American novelists of the middle years of the 20th century are all, in various ways, direct beneficiaries of their country’s involvement in that conflict.

Norman Mailer served in the 112th Cavalry in the Pacific theatre, where Gore Vidal, enlisted in the US Army Reserve, was master of a supply boat. Joseph Heller was a bombardier in the 12th Air Force and Kurt Vonnegut a private in the 106th Infantry Division. Jerome David Salinger, drafted into the 4th Infantry Division of the 12th Infantry Regiment, fought on D-Day. Saul Bellow, though Canadian by birth and older than the others, signed up for the Merchant Navy.

Apart from Salinger, this squadron of future novelists saw little military action – Mailer was mainly utilised as a cook and Vonnegut rapidly became a prisoner of war – but all had found material for stories. Indeed, Mailer was clear that he had joined the army with the hope of writing the novel that became The Naked and the Dead (1948). Bellow’s first novel, Dangling Man, drew on the war period, while Vidal’s experiences at sea gave him the title for a volume of memoirs – Point to Point Navigation – and a combatant’s jaundiced perspective which informed his long sequence of historical novels about the growth of American military ambition: Chronicles of Empire.

But the 1939-45 conflict (1941-45, in American terms) was not just a compelling subject for the country’s writers; it was, for some, a passport to authorship. The Servicemen’s Readjustment Act of 1944 (colloquially known as the GI Bill) was almost voted down by the nation’s politicians – opponents citing anti-socialist objections similar to those afflicting Obama’s healthcare proposals now – but it transformed the nation’s education. Before this legislation, the level of college fees largely restricted entry to the children of the wealthy but a provision in the GI Bill to fund the studies of veterans democratised teaching. By 1947, just under half of undergraduates were recipients of this generosity.

Among them were Mailer and Bellow – who wrote early novels in Paris, courtesy of servicemen readjustment grants – and Heller and Vonnegut. Towards the end of his life – when we spoke in New York– Vonnegut had not forgotten the lucky consequences of war service for himself and others of his generation: “Heller and I would have been washing machine salesmen if it wasn’t for the GI Bill.”

The greatest of the novels that this legislation enabled Heller and Vonnegut to write are striking examples of the centrality of war to modern US literature. Both writers took two decades to turn their experience of conflict – Heller in the belly of bomber planes, Vonnegut as a PoW during the fire-bombing of Dresden – into books which, coincidentally, turned tragic events into savage comedy and had numbers in their name: Catch-22 (1962) and Slaughterhouse-Five (1969).

Because of their lengthy gestation, these novels accidentally became handbooks of the anti-Vietnam protesters, and this is a striking example of the overlaps that tend to occur in America’s literature of conflict.

The same authors inspired and educated by the second world war remained involved – on the page at least – in subsequent 20th-century battles. Mailer published the polemic Why Are We in Vietnam? and The ­Armies of the Night, an account of a great anti-Vietnam march on Washington which records the literary odd couple he formed in that protest with Robert Lowell, the poet who had been imprisoned for conscientious objection during the war in Europe. And, in his final years, Mailer railed – as did his contemporary, Vonnegut – against the last American military intervention of their lifetimes: the invasion of Iraq. The latter, in A Man Without a Country, as a German-American once incarcerated in Dresden, even compared the administration of George W Bush to the Nazis.

During Vietnam, a Lowell poem predicted that America would be involved in “small war on the heels of small war, until the end of time”. And, though we hopefully still have some time to go, this has so far proved accurate. A nation established by victory over the British – and, within a century, almost split by civil conflict – developed, after its unarguable role as the saviour of ­Europe, a doctrine of allegedly defensive interventions overseas which turned its authors into war reporters.

Even those who were teenagers during the second world war have contributed to the conflict literature: Roth, in The War Against America; John Updike in Terrorist; and EL Doctorow who, during the Bush years, published The March (a civil war novel) and Homer and Langley, set in the early 40s but in which the accounts of GIs sending home recordings to their families inevitably made us think of current troops in Iraq and Afghanistan. Stories of one war that clips at the heels of another.

And, in recent US history, definitions of peacetime have been relative: violent divisions over race, place and wealth – some of them dating from the civil war – have meant that even non-war stories are often conflict literature. The critic Harold Bloom told me that Cormac McCarthy’s Blood Meridian (1985) – in which the wounds of the 19th century bleed copiously – has some claim to be the greatest modern American novel because it deals with the nation’s deep tendency to violence. Bloom’s view has perhaps recently been vindicated by the growing sense (helped by high-profile movies of No Country for Old Men and The Road) that McCarthy is now the country’s most fashionable serious writer – although the 76-year-old from Rhode Island, who latterly adopted Texas as his home and literary location – has done almost nothing to encourage that popularity.

One of the major pleasures of my long investigation of American writing was meeting writers who have been heroes since I read as a teenager the Penguins and Picadors which – now yellowed and buckled – became research material 30 years later. Time and again, the jacket photographs miraculously came to life.

Norman Mailer, standing in greeting at the top of his tall house in Brooklyn Heights, with its view to the Statue of Liberty, and growling, in a perfect parody of his reputation for obsession with masculinity: “You’re a big man. Do you box? You should box.” Philip Roth skittish and wickedly jokey as the technical preparations were made, sombre and professorial as soon as the interviews began. Joyce Carol Oates, one of the most vociferous writers in literary history (around 150 publications, including all pseudonyms and genres), so softly spoken in a Princeton University office that she could hardly be heard over the purr of the heating. Toni Morrison, giving a magisterial reading and analysis of America on the brink of electing Obama. John Updike, arriving at a snowy Boston hotel, wearing a black knitted cap and clutching a Dunkin Donuts cup of decaf coffee.

And just hearing these voices was a kind of literary criticism. The theatre director Sir Peter Hall once said that if you want to know how a play should sound on stage, you should listen to the playwright speaking, because the tone of authors’ prose or dialogue will generally reflect their speech patterns. And I thought of that as Edward Albee – on a summer day in a Soho loft filled with an impressive art collection made possible by the royalties from Who’s Afraid of Virginia Woolf?, Three Tall Women and The Goat – delivered witty, twinkly, stinging sentences about his plays and his critics.

In this odd position of having coffee with set-texts, I also often thought of the narrator of The Catcher in the Rye who comments that a good story makes you want to get the author on the telephone and talk to him. But, as Salinger possibly realised with a quiet laugh even in 1951, the writer of those lines was among the few, in an age of strenuous literary publicity, from whom we never heard.

The paradox of Am lit is that it is notable for possessing both the most publicity-conscious writers in literary history – Mailer had an eye for photo-ops generally only found in reality TV contestants – and the most publicity-shy. Salinger refused interviews and public appearances throughout his career, an example followed by Harper Lee and Thomas Pynchon.

For decades, the only pictures of Salinger and Pynchon were school yearbook photos, captured before they took their vows of invisibility. Eventually, the Salinger gallery extended to two exhibits, when a paparazzo snapped him on an errand. Don DeLillo – who featured a reclusive writer in his novel Mao II – told me that this image of a startled old man looking over his shoulder at the shutter-click he had for so long avoided is one of the most upsetting he has ever seen. But that – as the illustrations to the obituary coverage showed – did not stop a couple of other cameras subsequently snapping him.

Perhaps the reason for this Mailer/Salinger dichotomy – one happy to run for public office, the other running from the clicking shutter – is that literary fame in the US is potentially so vast that responses need to be extreme: absolute promiscuity, total celibacy. Those who have tried to take a middle path of occasional cooperation – Roth, McCarthy – have suffered intrusive coverage and unwanted attention.

The level of visibility that a major writer is offered may be one explanation for the centrality of the self in modern American literature. Mailer, in a literary equivalent of a conversational tactic pioneered by sportsmen, frequently wrote about himself in the surname third-person, a tactic which can be seen as ego but which may also have acknowledged the increasing impossibility, in a time of furious curiosity about writers, of the observing character being a neutral “I”.

In a similar strategy, Roth and Updike responded to the increasingly looming presence of the alter ego who was out there selling the books – and, often, being described and reviewed as brutally as the novels – by summoning up fictional surrogates.

Roth (Nathan Zuckerman), Updike (Henry Bech) – these novelists like to write about writers. Vonnegut’s characters included a science fiction author called Kilgore Trout, who feels like a self-portrait, and three of the major novels of John Irving – The World According to Garp, A Widow for One Year and Last Night in Twisted River – have protagonists who are novelists. These authorial stand-ins can be viewed as self-indulgence but a more charitable interpretation would be that they are self-protection against the energetic efforts, in American letters, to appropriate a writer’s identity.

Bellow, although offering no authorly surrogate as openly declared as Zuckerman or Bech, seems to have been a routinely autobiographical writer, once describing each of his novels as “a bulletin on my own condition”. Fairly typically, when Bellow left the university where he was teaching for Bucharest, to visit the mother of his then wife, the result was The Dean’s December (1982), in which an American academic takes a trip to see his mother-in-law in Romania. The story also incorporates, flimsily rewritten, two actual murders that had occurred contemporaneously in his home city of Chicago.

Such direct memoir is often seen as a weakness in fiction: “All the men are Saul and the women are the wives” has been a frequent complaint against Bellow’s novels; Harold Bloom made a version of it when we met. But we only know because we know; if Bellow had done a Pynchon or Salinger, we might have taken the events in Bucharest as vivid imagination. And so one of the consequences of the industrialisation of publicity in the US book business has been to expose the origins of novels in a way that can then be turned against them.

Many of the ­nation’s ­poets, however, have willingly participated in this striptease, without apparent misgivings. At least Bellow’s bulletins on his own condition changed the names and occasional details. The output of a group of New England ­poets – Lowell (1917-1977), Sylvia Plath (1932-63) and Anne Sexton (1928-74) – perfected the genre of “confessional” verse, in which the life (and, in the cases of Plath and Sexton, likely future death by suicide) frequently seems to undergo little change beyond rhythmic shaping to fit the lines.

This verse was often literally therapeutic – Lowell, Plath and Sexton were all treated at the same psychiatric clinic in Massachusetts – but began a debate about whether the genre should sometimes be subject to an equivalent of medical confidentiality. Lowell – in Notebook (1969) and The Dolphin (1973) – quoted directly from the letters of an ex-wife. Whether or not this was ethical, it was true to two increasingly important ideas in American culture during this period: the primacy of the self and a prejudice that fact had more validity than fiction.

Those perceptions also drove an influential new genre which emerged at the same time as confessional poetry: the new journalism. Tom Wolfe (born in 1931) and Hunter S Thompson (1937-2005) overturned two well-cemented tenets of American journalism – the reporter as a discreet, objective presence, and a reverence for fact over opinion – to create a new strain of factual narrative in which the reporter is a star of the story. Books such as Wolfe’s The Kandy-Kolored Tangerine-Flake Streamline Baby (1965) and Thompson’s Fear and Loathing on the Campaign Trail (1973) introduced the devices of fiction to journalism and would eventually encourage the same development in reverse.

Perhaps conscious that arguably the finest work of new journalism had been written by a novelist – Mailer’s The Executioner’s Song (1980), which recreated, in visceral physical and psychological detail, the life of the murderer Gary Gilmore – Wolfe responded, within a decade, by producing the finest novel written by a new journalist: The Bonfire of the Vanities (1987). In promoting this book, he also provoked a long-running and entertaining feud with career novelists – including the New England Johns, Irving and Updike – by suggesting that their work was insufficiently observant of the real world.

This energising slippage between fact and fiction continues in the work of two of the most exciting talents of the new generation: Jonathan Safran Foer’s Everything Is Illuminated (2002), published as fiction, and A Heart-Breaking Work of Staggering Genius (2000) by Dave Eggers, released as non-fiction, are both genre-crossing family memoirs that combine agonising truth with storytelling tricks and have unreliable narrators with the author’s own name. True to one of the key developments in modern American writing, ­Safran Foer and Eggers achieved literary celebrity through first books that acted as though they already had it.

The ambition of the nation’s prose writers is a commonplace of American literary studies: the idea that its ­authors are competing to compose the great American novel. But this contest is probably a myth – wasn’t it won, as early as 1851, by Herman Melville’s Moby-Dick? A different source of extraordinary boldness and scope is American theatre.

Between the eve of the second world war and the beginning of the 1960s, a series of plays appeared which revolutionised American drama: Thornton Wilder’s Our Town (1938), The Glass Menagerie (1944) and A Streetcar Named Desire (1947) by Tennessee Williams, Arthur Miller’s Death of a Salesman (1949) and Who’s Afraid of Virginia Woolf? (1962) by Albee. Each of these dramas is set predominantly within a domestic residence of its era and has a surface of realism; each has become a standard of the classroom and the provincial theatre repertoire, with the stamp of conservatism that such endorsements inevitably bring.

Yet all of these plays contain significant non-naturalistic or experimental elements: dream sequences or flashes forward or back. Seeing Our Town last year – in the acclaimed off-Broadway revival by David Cromer for the Barrow Street Theatre – I was startled by the darkness and strangeness, in both structure and tone, of a script which I remembered as a linear hymn to small-town life. No sooner are characters introduced than the audience is told of when and how they will die horribly; an entire act takes place in a graveyard filled with people looking back on unfulfilled lives.

British theatre did not achieve a radical change in content and form until the 50s and 60s – driven first by John Osborne’s stable-cleansing Look Back in Anger and then the abolition of censorship by the Lord Chamberlain’s office – but the equivalent breakthrough in the playhouses of the US occurred at least a decade and a half earlier.

It is also notable that America’s dramatists, though the mecca of their profession has always been the commercial stages of Broadway, consistently questioned the optimistic rhetoric of politicians and businessmen about the supremacy of its way of living. The dominant figure of postwar American drama is the fantasist or liar with a life which is in some way unsustainable: Miller’s Willy Loman, Williams’s Blanche DuBois, Albee’s George and Martha.

This radicalism of tone and structure continued among the younger generation of dramatists. Though the leader of the new pack is a minimalist – David Mamet, whose plays, including American Buffalo and Glengarry Glen Ross, rarely detain the audience beyond two hours – US stages still spawn plays of a scale more commonly associated with multi-episode television serials.

Tony Kushner’s Angels in America (1992) runs, across its two parts, for around six hours and, as its subtitle (“A Gay Fantasia on National Themes”) makes clear, follows those pioneering plays of the immediate postwar period in mixing the naturalistic with the non-realistic and even the supernatural. So too does August Wilson’s The Pittsburgh Cycle (1982-2005), which has an architecture even larger than Kushner’s: 10 plays, each dealing with a different decade of African-American history in the 20th century. Wilson also moved freely between fact and fantasy: his characters include a 322-year-old woman.

The most recent serious play to become a box-office hit on Broadway – August: Osage County (2007) by Tracy Letts – is another of these daring constructs: a three-act, three-hour-plus attempt to show that domestic tragedy can still be written in an ironic age. Though working within a system that worships commerce – Miller, Williams and Albee all suffered spells of neglect in which they were grateful for subsidised theatre in the UK – American playwrights have, when it comes to form and politics, consistently dared to go for broke.

Writers are frequently seen as being unworldly figures, but, as it turns out, the White House and the CIA would have been better prepared for 9/11 if they had read American novelists and dramatists rather than field reports. After the attacks, the intelligence community reportedly consulted Hollywood screenwriters about likely future threats, having spotted that movies such as Die Hard anticipated the methods and level of terrorist threat to the US, but they might just as fruitfully have called in DeLillo, Charles McCarry and Kushner.

DeLillo’s most resonant books so far have examined the politics of the American past – Libra (1981), about the JFK assassination and Underworld (1997), exploring the cold war era – but his earlier fiction proves to have been percipient. Though the threat of terrorism entered general consciousness in the US only after 9/11, it figured in DeLillo’s work from the 70s, an insight he attributed to having lived in Greece.

McCarry is a former servant of the secret world – working as a CIA agent under deep cover in Asia and the Middle East during the cold war – who now has some claim to be the best-kept secret on the great American writers shelf. His The Tears of Autumn (1974) is one of the three best literary explorations of the JFK assassination – the others are Libra and Mailer’s Oswald’s Tale (1995) – and the one which perhaps explains most plausibly what happened.

Though far less well known than John le Carré, McCarry has been just as geopolitically aware and is the writer who came closest to directly predicting the 11 September attacks. His book The Better Angels (1979) includes suicide bombers sending planes against America, directed by an Arab malcontent whom contemporary readers will inevitably visualise as Osama bin Laden. Kushner’s play Homebody/ ­Kabul (2001), written before the attacks, includes an Afghan character warning Americans that the Taliban are “coming to New York”.

In the interviews they gave at what turned out to be, in too many cases, the end of their lives, the great fictionalists of the US were almost uniformly gloomy about the future of serious writing. Mailer and Updike detected the retreat of a readership for complex stories. Among living practitioners, Albee feared that Broadway ticket prices mean that only sentimentality and spectacle can sell, complaining of the “middlebrowism that is afflicting American theatre because it is a commercial theatre”.

Roth was also concerned about a coarsening of culture: “The population of intelligent, attentive readers capable of concentration and focus of the kind that is required by a serious novel . . . has decreased. Not because there aren’t the same number of intelligent people around but because they have been torn away like Lady Macbeth says she tore away the child from her breast. They have been torn away from the breast of literature by the screen.”

Vidal, with characteristic dyspepsia, argued that America cannot have suffered a cultural decline because “we never had a culture”, but accepted that his earlier work was published at a more receptive time: “The attention of readers has shifted away . . . it feels to me very much like a dying moment for literary culture in my country.”

The history of sport, though, warns us that the great players of the past are prone to believing that the finest achievements belonged to their own era and will not be bettered by the disappointing generation which follows.

A more optimistic reading is that intelligent literary culture will adapt to the new conditions of the marketplace and may be revived, as the country always has been, by immigration. The Jewish-American, Irish-American, ­African-American and European-­American writers of the great postwar generations may be followed by authors who are, say, Indian-American (Jhumpa Lahiri, left, with Unaccustomed Earth), Dominican-American (Junot Díaz’s The Brief Wondrous Life of Oscar Wao) or Korean-American (Chang-rae Lee, whose novel The Surrendered, published this spring, extends the nation’s rich war literature by treating the ­Korean war from an Asian perspective). With these books and others, a new phase is beginning.

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Posted by steveneidman on February 16, 2010

How a New Jobless Era Will Transform America

 

Image credit: Fredrik Broden

By Don Peck

 

 

 

 

 

 

 

 

 

How should we characterize the economic period we have now entered? After nearly two brutal years, the Great Recession appears to be over, at least technically. Yet a return to normalcy seems far off. By some measures, each recession since the 1980s has retreated more slowly than the one before it. In one sense, we never fully recovered from the last one, in 2001: the share of the civilian population with a job never returned to its previous peak before this downturn began, and incomes were stagnant throughout the decade. Still, the weakness that lingered through much of the 2000s shouldn’t be confused with the trauma of the past two years, a trauma that will remain heavy for quite some time.

The unemployment rate hit 10 percent in October, and there are good reasons to believe that by 2011, 2012, even 2014, it will have declined only a little. Late last year, the average duration of unemployment surpassed six months, the first time that has happened since 1948, when the Bureau of Labor Statistics began tracking that number. As of this writing, for every open job in the U.S., six people are actively looking for work. 

All of these figures understate the magnitude of the jobs crisis. The broadest measure of unemployment and underemployment (which includes people who want to work but have stopped actively searching for a job, along with those who want full-time jobs but can find only part-time work) reached 17.4 percent in October, which appears to be the highest figure since the 1930s. And for large swaths of society—young adults, men, minorities—that figure was much higher (among teenagers, for instance, even the narrowest measure of unemployment stood at roughly 27 percent). One recent survey showed that 44 percent of families had experienced a job loss, a reduction in hours, or a pay cut in the past year. 

There is unemployment, a brief and relatively routine transitional state that results from the rise and fall of companies in any economy, and there is unemployment—chronic, all-consuming. The former is a necessary lubricant in any engine of economic growth. The latter is a pestilence that slowly eats away at people, families, and, if it spreads widely enough, the fabric of society. Indeed, history suggests that it is perhaps society’s most noxious ill. 

The worst effects of pervasive joblessness—on family, politics, society—take time to incubate, and they show themselves only slowly. But ultimately, they leave deep marks that endure long after boom times have returned. Some of these marks are just now becoming visible, and even if the economy magically and fully recovers tomorrow, new ones will continue to appear. The longer our economic slump lasts, the deeper they’ll be. 

If it persists much longer, this era of high joblessness will likely change the life course and character of a generation of young adults—and quite possibly those of the children behind them as well. It will leave an indelible imprint on many blue-collar white men—and on white culture. It could change the nature of modern marriage, and also cripple marriage as an institution in many communities. It may already be plunging many inner cities into a kind of despair and dysfunction not seen for decades. Ultimately, it is likely to warp our politics, our culture, and the character of our society for years. 

The Long Road Ahead

 

Since last spring, when fears of economic apocalypse began to ebb, we’ve been treated to an alphabet soup of predictions about the recovery. Various economists have suggested that it might look like a V (a strong and rapid rebound), a U (slower), a W (reflecting the possibility of a double-dip recession), or, most alarming, an L (no recovery in demand or jobs for years: a lost decade). This summer, with all the good letters already taken, the former labor secretary Robert Reich wrote on his blog that the recovery might actually be shaped like an X (the imagery is elusive, but Reich’s argument was that there can be no recovery until we find an entirely new model of economic growth). 

No one knows what shape the recovery will take. The economy grew at an annual rate of 2.2 percent in the third quarter of last year, the first increase since the second quarter of 2008. If economic growth continues to pick up, substantial job growth will eventually follow. But there are many reasons to doubt the durability of the economic turnaround, and the speed with which jobs will return. 

Historically, financial crises have spawned long periods of economic malaise, and this crisis, so far, has been true to form. Despite the bailouts, many banks’ balance sheets remain weak; more than 140 banks failed in 2009. As a result, banks have kept lending standards tight, frustrating the efforts of small businesses—which have accounted for almost half of all job losses—to invest or rehire. Exports seem unlikely to provide much of a boost; although China, India, Brazil, and some other emerging markets are growing quickly again, Europe and Japan—both major markets for U.S. exports—remain weak. And in any case, exports make up only about 13 percent of total U.S. production; even if they were to grow quickly, the impact would be muted. 

Most recessions end when people start spending again, but for the foreseeable future, U.S. consumer demand is unlikely to propel strong economic growth. As of November, one in seven mortgages was delinquent, up from one in 10 a year earlier. As many as one in four houses may now be underwater, and the ratio of household debt to GDP, about 65 percent in the mid-1990s, is roughly 100 percent today. It is not merely animal spirits that are keeping people from spending freely (though those spirits are dour). Heavy debt and large losses of wealth have forced spending onto a lower path. 

So what is the engine that will pull the U.S. back onto a strong growth path? That turns out to be a hard question. The New York Times columnist Paul Krugman, who fears a lost decade, said in a lecture at the London School of Economics last summer that he has “no idea” how the economy could quickly return to strong, sustainable growth. Mark Zandi, the chief economist at Moody’s Economy.com, told the Associated Press last fall, “I think the unemployment rate will be permanently higher, or at least higher for the foreseeable future. The collective psyche has changed as a result of what we’ve been through. And we’re going to be different as a result.” 

One big reason that the economy stabilized last summer and fall is the stimulus; the Congressional Budget Office estimates that without the stimulus, growth would have been anywhere from 1.2 to 3.2 percentage points lower in the third quarter of 2009. The stimulus will continue to trickle into the economy for the next couple of years, but as a concentrated force, it’s largely spent. Christina Romer, the chair of President Obama’s Council of Economic Advisers, said last fall, “By mid-2010, fiscal stimulus will likely be contributing little to further growth,” adding that she didn’t expect unemployment to fall significantly until 2011. That prediction has since been echoed, more or less, by the Federal Reserve and Goldman Sachs. 

The economy now sits in a hole more than 10 million jobs deep—that’s the number required to get back to 5 percent unemployment, the rate we had before the recession started, and one that’s been more or less typical for a generation. And because the population is growing and new people are continually coming onto the job market, we need to produce roughly 1.5 million new jobs a year—about 125,000 a month—just to keep from sinking deeper. 

Even if the economy were to immediately begin producing 600,000 jobs a month—more than double the pace of the mid-to-late 1990s, when job growth was strong—it would take roughly two years to dig ourselves out of the hole we’re in. The economy could add jobs that fast, or even faster—job growth is theoretically limited only by labor supply, and a lot more labor is sitting idle today than usual. But the U.S. hasn’t seen that pace of sustained employment growth in more than 30 years. And given the particulars of this recession, matching idle workers with new jobs—even once economic growth picks up—seems likely to be a particularly slow and challenging process. 

The construction and finance industries, bloated by a decade-long housing bubble, are unlikely to regain their former share of the economy, and as a result many out-of-work finance professionals and construction workers won’t be able to simply pick up where they left off when growth returns—they’ll need to retrain and find new careers. (For different reasons, the same might be said of many media professionals and auto workers.) And even within industries that are likely to bounce back smartly, temporary layoffs have generally given way to the permanent elimination of jobs, the result of workplace restructuring. Manufacturing jobs have of course been moving overseas for decades, and still are; but recently, the outsourcing of much white-collar work has become possible. Companies that have cut domestic payrolls to the bone in this recession may choose to rebuild them in Shanghai, Guangzhou, or Bangalore, accelerating off-shoring decisions that otherwise might have occurred over many years. 

New jobs will come open in the U.S. But many will have different skill requirements than the old ones. “In a sense,” says Gary Burtless, a labor economist at the Brookings Institution, “every time someone’s laid off now, they need to start all over. They don’t even know what industry they’ll be in next.” And as a spell of unemployment lengthens, skills erode and behavior tends to change, leaving some people unqualified even for work they once did well. 

Ultimately, innovation is what allows an economy to grow quickly and create new jobs as old ones obsolesce and disappear. Typically, one salutary side effect of recessions is that they eventually spur booms in innovation. Some laid-off employees become entrepreneurs, working on ideas that have been ignored by corporate bureaucracies, while sclerotic firms in declining industries fail, making way for nimbler enterprises. But according to the economist Edmund Phelps, the innovative potential of the U.S. economy looks limited today. In a recent Harvard Business Review article, he and his co-author, Leo Tilman, argue that dynamism in the U.S. has actually been in decline for a decade; with the housing bubble fueling easy (but unsustainable) growth for much of that time, we just didn’t notice. Phelps and Tilman finger several culprits: a patent system that’s become stifling; an increasingly myopic focus among public companies on quarterly results, rather than long-term value creation; and, not least, a financial industry that for a generation has focused its talent and resources not on funding business innovation, but on proprietary trading, regulatory arbitrage, and arcane financial engineering. None of these problems is likely to disappear quickly. Phelps, who won a Nobel Prize for his work on the “natural” rate of unemployment, believes that until they do disappear, the new floor for unemployment is likely to be between 6.5 percent and 7.5 percent, even once “recovery” is complete. 

It’s likely, then, that for the next several years or more, the jobs environment will more closely resemble today’s environment than that of 2006 or 2007—or for that matter, the environment to which we were accustomed for a generation. Heidi Shierholz, an economist at the Economic Policy Institute, notes that if the recovery follows the same basic path as the last two (in 1991 and 2001), unemployment will stand at roughly 8 percent in 2014. 

“We haven’t seen anything like this before: a really deep recession combined with a really extended period, maybe as much as eight years, all told, of highly elevated unemployment,” Shierholz told me. “We’re about to see a big national experiment on stress.” 

The Recession and America’s Youth

 

“I’m definitely seeing a lot of the older generation saying, ‘Oh, this [recession] is so awful,’” Robert Sherman, a 2009 graduate of Syracuse University, told The New York Times in July. “But my generation isn’t getting as depressed and uptight.” Sherman had recently turned down a $50,000-a-year job at a consulting firm, after careful deliberation with his parents, because he hadn’t connected well with his potential bosses. Instead he was doing odd jobs and trying to get a couple of tech companies off the ground. “The economy will rebound,” he said. 

Over the past two generations, particularly among many college grads, the 20s have become a sort of netherworld between adolescence and adulthood. Job-switching is common, and with it, periods of voluntary, transitional unemployment. And as marriage and parenthood have receded farther into the future, the first years after college have become, arguably, more carefree. In this recession, the term funemployment has gained some currency among single 20-somethings, prompting a small raft of youth-culture stories in the Los Angeles Times and San Francisco Weekly, on Gawker, and in other venues.

Most of the people interviewed in these stories seem merely to be trying to stay positive and make the best of a bad situation. They note that it’s a good time to reevaluate career choices; that since joblessness is now so common among their peers, it has lost much of its stigma; and that since they don’t have mortgages or kids, they have flexibility, and in this respect, they are lucky. All of this sounds sensible enough—it is intuitive to think that youth will be spared the worst of the recession’s scars. 

But in fact a whole generation of young adults is likely to see its life chances permanently diminished by this recession. Lisa Kahn, an economist at Yale, has studied the impact of recessions on the lifetime earnings of young workers. In one recent study, she followed the career paths of white men who graduated from college between 1979 and 1989. She found that, all else equal, for every one-percentage-point increase in the national unemployment rate, the starting income of new graduates fell by as much as 7 percent; the unluckiest graduates of the decade, who emerged into the teeth of the 1981–82 recession, made roughly 25 percent less in their first year than graduates who stepped into boom times. 

But what’s truly remarkable is the persistence of the earnings gap. Five, 10, 15 years after graduation, after untold promotions and career changes spanning booms and busts, the unlucky graduates never closed the gap. Seventeen years after graduation, those who had entered the workforce during inhospitable times were still earning 10 percent less on average than those who had emerged into a more bountiful climate. When you add up all the earnings losses over the years, Kahn says, it’s as if the lucky graduates had been given a gift of about $100,000, adjusted for inflation, immediately upon graduation—or, alternatively, as if the unlucky ones had been saddled with a debt of the same size. 

When Kahn looked more closely at the unlucky graduates at mid-career, she found some surprising characteristics. They were significantly less likely to work in professional occupations or other prestigious spheres. And they clung more tightly to their jobs: average job tenure was unusually long. People who entered the workforce during the recession “didn’t switch jobs as much, and particularly for young workers, that’s how you increase wages,” Kahn told me. This behavior may have resulted from a lingering risk aversion, born of a tough start. But a lack of opportunities may have played a larger role, she said: when you’re forced to start work in a particularly low-level job or unsexy career, it’s easy for other employers to dismiss you as having low potential. Moving up, or moving on to something different and better, becomes more difficult. 

“Graduates’ first jobs have an inordinate impact on their career path and [lifetime earnings],” wrote Austan Goolsbee, now a member of President Obama’s Council of Economic Advisers, in The New York Times in 2006. “People essentially cannot close the wage gap by working their way up the company hierarchy. While they may work their way up, the people who started above them do, too. They don’t catch up.” Recent research suggests that as much as two-thirds of real lifetime wage growth typically occurs in the first 10 years of a career. After that, as people start families and their career paths lengthen and solidify, jumping the tracks becomes harder. 

This job environment is not one in which fast-track jobs are plentiful, to say the least. According to the National Association of Colleges and Employers, job offers to graduating seniors declined 21 percent last year, and are expected to decline another 7 percent this year. Last spring, in the San Francisco Bay Area, an organization called JobNob began holding networking happy hours to try to match college graduates with start-up companies looking primarily for unpaid labor. Julie Greenberg, a co-founder of JobNob, says that at the first event, on May 7, she expected perhaps 30 people, but 300 showed up. New graduates didn’t have much of a chance; most of the people there had several years of work experience—quite a lot were 30-somethings—and some had more than one degree. JobNob has since held events for alumni of Stanford, Berkeley, and Harvard; all have been well attended (at the Harvard event, Greenberg tried to restrict attendance to 75, but about 100 people managed to get in), and all have been dominated by people with significant work experience. 

When experienced workers holding prestigious degrees are taking unpaid internships, not much is left for newly minted B.A.s. Yet if those same B.A.s don’t find purchase in the job market, they’ll soon have to compete with a fresh class of graduates—ones without white space on their résumé to explain. This is a tough squeeze to escape, and it only gets tighter over time. 

Strong evidence suggests that people who don’t find solid roots in the job market within a year or two have a particularly hard time righting themselves. In part, that’s because many of them become different—and damaged—people. Krysia Mossakowski, a sociologist at the University of Miami, has found that in young adults, long bouts of unemployment provoke long-lasting changes in behavior and mental health. “Some people say, ‘Oh, well, they’re young, they’re in and out of the workforce, so unemployment shouldn’t matter much psychologically,’” Mossakowski told me. “But that isn’t true.” 

Examining national longitudinal data, Mossakowski has found that people who were unemployed for long periods in their teens or early 20s are far more likely to develop a habit of heavy drinking (five or more drinks in one sitting) by the time they approach middle age. They are also more likely to develop depressive symptoms. Prior drinking behavior and psychological history do not explain these problems—they result from unemployment itself. And the problems are not limited to those who never find steady work; they show up quite strongly as well in people who are later working regularly. 

Forty years ago, Glen Elder, a sociologist at the University of North Carolina and a pioneer in the field of “life course” studies, found a pronounced diffidence in elderly men (though not women) who had suffered hardship as 20- and 30-somethings during the Depression. Decades later, unlike peers who had been largely spared in the 1930s, these men came across, he told me, as “beaten and withdrawn—lacking ambition, direction, confidence in themselves.” Today in Japan, according to the Japan Productivity Center for Socio-Economic Development, workers who began their careers during the “lost decade” of the 1990s and are now in their 30s make up six out of every 10 cases of depression, stress, and work-related mental disabilities reported by employers. 

A large and long-standing body of research shows that physical health tends to deteriorate during unemployment, most likely through a combination of fewer financial resources and a higher stress level. The most-recent research suggests that poor health is prevalent among the young, and endures for a lifetime. Till Von Wachter, an economist at Columbia University, and Daniel Sullivan, of the Federal Reserve Bank of Chicago, recently looked at the mortality rates of men who had lost their jobs in Pennsylvania in the 1970s and ’80s. They found that particularly among men in their 40s or 50s, mortality rates rose markedly soon after a layoff. But regardless of age, all men were left with an elevated risk of dying in each year following their episode of unemployment, for the rest of their lives. And so, the younger the worker, the more pronounced the effect on his lifespan: the lives of workers who had lost their job at 30, Von Wachter and Sullivan found, were shorter than those who had lost their job at 50 or 55—and more than a year and a half shorter than those who’d never lost their job at all. 

Journalists and academics have thrown various labels at today’s young adults, hoping one might stick—Generation Y, Generation Next, the Net Generation, the Millennials, the Echo Boomers. All of these efforts contain an element of folly; the diversity of character within a generation is always and infinitely larger than the gap between generations. Still, the cultural and economic environment in which each generation is incubated clearly matters. It is no coincidence that the members of Generation X—painted as cynical, apathetic slackers—first emerged into the workforce in the weak job market of the early-to-mid-1980s. Nor is it a coincidence that the early members of Generation Y—labeled as optimistic, rule-following achievers—came of age during the Internet boom of the late 1990s. 

Many of today’s young adults seem temperamentally unprepared for the circumstances in which they now find themselves. Jean Twenge, an associate professor of psychology at San Diego State University, has carefully compared the attitudes of today’s young adults to those of previous generations when they were the same age. Using national survey data, she’s found that to an unprecedented degree, people who graduated from high school in the 2000s dislike the idea of work for work’s sake, and expect jobs and career to be tailored to their interests and lifestyle. Yet they also have much higher material expectations than previous generations, and believe financial success is extremely important. “There’s this idea that, ‘Yeah, I don’t want to work, but I’m still going to get all the stuff I want,’” Twenge told me. “It’s a generation in which every kid has been told, ‘You can be anything you want. You’re special.’” 

In her 2006 book, Generation Me, Twenge notes that self-esteem in children began rising sharply around 1980, and hasn’t stopped since. By 1999, according to one survey, 91 percent of teens described themselves as responsible, 74 percent as physically attractive, and 79 percent as very intelligent. (More than 40 percent of teens also expected that they would be earning $75,000 a year or more by age 30; the median salary made by a 30-year-old was $27,000 that year.) Twenge attributes the shift to broad changes in parenting styles and teaching methods, in response to the growing belief that children should always feel good about themselves, no matter what. As the years have passed, efforts to boost self-esteem—and to decouple it from performance—have become widespread. 

These efforts have succeeded in making today’s youth more confident and individualistic. But that may not benefit them in adulthood, particularly in this economic environment. Twenge writes that “self-esteem without basis encourages laziness rather than hard work,” and that “the ability to persevere and keep going” is “a much better predictor of life outcomes than self-esteem.” She worries that many young people might be inclined to simply give up in this job market. “You’d think if people are more individualistic, they’d be more independent,” she told me. “But it’s not really true. There’s an element of entitlement—they expect people to figure things out for them.” 

Ron Alsop, a former reporter for The Wall Street Journal and the author of The Trophy Kids Grow Up: How the Millennial Generation Is Shaking Up the Workplace, says a combination of entitlement and highly structured childhood has resulted in a lack of independence and entrepreneurialism in many 20-somethings. They’re used to checklists, he says, and “don’t excel at leadership or independent problem solving.” Alsop interviewed dozens of employers for his book, and concluded that unlike previous generations, Millennials, as a group, “need almost constant direction” in the workplace. “Many flounder without precise guidelines but thrive in structured situations that provide clearly defined rules.” 

All of these characteristics are worrisome, given a harsh economic environment that requires perseverance, adaptability, humility, and entrepreneurialism. Perhaps most worrisome, though, is the fatalism and lack of agency that both Twenge and Alsop discern in today’s young adults. Trained throughout childhood to disconnect performance from reward, and told repeatedly that they are destined for great things, many are quick to place blame elsewhere when something goes wrong, and inclined to believe that bad situations will sort themselves out—or will be sorted out by parents or other helpers. 

In his remarks at last year’s commencement, in May, The New York Times reported, University of Connecticut President Michael Hogan addressed the phenomenon of students’ turning down jobs, with no alternatives, because they didn’t feel the jobs were good enough. “My first word of advice is this,” he told the graduates. “Say yes. In fact, say yes as often as you can. Saying yes begins things. Saying yes is how things grow. Saying yes leads to new experiences, and new experiences will lead to knowledge and wisdom. Yes is for young people, and an attitude of yes is how you will be able to go forward in these uncertain times.” 

Larry Druckenbrod, the university’s assistant director of career services, told me last fall, “This is a group that’s done résumé building since middle school. They’ve been told they’ve been preparing to go out and do great things after college. And now they’ve been dealt a 180.” For many, that’s led to “immobilization.” Druckenbrod said that about a third of the seniors he talked to that semester were seriously looking for work; another third were planning to go to grad school. The final third, he said, were “not even engaging with the job market—these are the ones whose parents have already said, ‘Just come home and live with us.’” 

According to a recent Pew survey, 10 percent of adults younger than 35 have moved back in with their parents as a result of the recession. But that’s merely an acceleration of a trend that has been under way for a generation or more. By the middle of the aughts, for instance, the percentage of 26-year-olds living with their parents reached 20 percent, nearly double what it was in 1970. Well before the recession began, this generation of young adults was less likely to work, or at least work steadily, than other recent generations. Since 2000, the percentage of people age 16 to 24 participating in the labor force has been declining (from 66 percent to 56 percent across the decade). Increased college attendance explains only part of the shift; the rest is a puzzle. Lingering weakness in the job market since 2001 may be one cause. Twenge believes the propensity of this generation to pursue “dream” careers that are, for most people, unlikely to work out may also be partly responsible. (In 2004, a national survey found that about one out of 18 college freshmen expected to make a living as an actor, musician, or artist.) 

Whatever the reason, the fact that so many young adults weren’t firmly rooted in the workforce even before the crash is deeply worrying. It means that a very large number of young adults entered the recession already vulnerable to all the ills that joblessness produces over time. It means that for a sizeable proportion of 20- and 30-somethings, the next few years will likely be toxic. 

No young people were present at a seminar for the unemployed held on November 4 in Reading, Pennsylvania, a blue-collar city about 60 miles west of Philadelphia. The meeting was organized by a regional nonprofit, Joseph’s People, and held in the basement of the St. Catharine’s parish center. All 30 or so attendees, sitting around a U-shaped table, looked to be 40 or older. But one middle-aged man, one of the first to introduce himself to the group, said he and his wife were there on behalf of their son, Errol. “He’s so disgusted that he didn’t want to come,” the man said. “He doesn’t know what to do, and we don’t either.” 

I talked to Errol a few days later. He is 28 and has a gentle, straightforward manner. He graduated from high school in 1999 and has lived with his parents since then. He worked in a machine shop for a couple of years after school, and has also held jobs at a battery factory, a sandpaper manufacturer, and a restaurant, where he was a cook. The restaurant closed in June 2008, and apart from a few days of work through temp agencies, he hasn’t had a job since. 

He calls in to a few temp agencies each week to let them know he’s interested in working, and checks the newspaper for job listings every Sunday. Sometimes he goes into CareerLink, the local unemployment office, to see if it has any new listings. He does work around the house, or in the small machine shop he’s set up in the garage, just to fill his days, and to try to keep his skills up. 

“I was thinking about moving,” he said. “I’m just really not sure where. Other places where I traveled, I didn’t really see much of a difference with what there was here.” He’s still got a few thousand dollars in the bank, which he saved when he was working as a machinist, and is mostly living off that; he’s been trading penny stocks to try to replenish those savings. 

I asked him what he foresaw for his working life. “As far as my job position,” he said, “I really don’t know what I want to do yet. I’m not sure.” When he was little, he wanted to be a mechanic, and he did enjoy the machine trade. But now there was hardly any work to be had, and what there was paid about the same as Walmart. “I don’t think there’s any way that you can have a job that you can think you can retire off of,” he said. “I think everyone’s going to have to transfer to another job.” He said the only future he could really imagine for himself now was just moving from job to job, with no career to speak of. “That’s what I think,” he said. “I don’t want to.” 

Men and Family in a Jobless Age

 

In her classic sociology of the Depression, The Unemployed Man and His Family, Mirra Komarovsky vividly describes how joblessness strained—and in many cases fundamentally altered—family relationships in the 1930s. During 1935 and 1936, Komarovsky and her research team interviewed the members of 59 white middle-class families in which the husband and father had been out of work for at least a year. Her research revealed deep psychological wounds. “It is awful to be old and discarded at 40,” said one father. “A man is not a man without work.” Another said plainly, “During the depression I lost something. Maybe you call it self-respect, but in losing it I also lost the respect of my children, and I am afraid I am losing my wife.” Noted one woman of her husband, “I still love him, but he doesn’t seem as ‘big’ a man.” 

Taken together, the stories paint a picture of diminished men, bereft of familial authority. Household power—over children, spending, and daily decisions of all types—generally shifted to wives over time (and some women were happier overall as a result). Amid general anxiety, fears of pregnancy, and men’s loss of self-worth and loss of respect from their wives, sex lives withered. Socializing all but ceased as well, a casualty of poverty and embarrassment. Although some men embraced family life and drew their wife and children closer, most became distant. Children described their father as “mean,” “nasty,” or “bossy,” and didn’t want to bring friends around, for fear of what he might say. “There was less physical violence towards the wife than towards the child,” Komarovsky wrote. 

In the 70 years that have passed since the publication of The Unemployed Man and His Family, American society has become vastly more wealthy, and a more comprehensive social safety net—however frayed it may seem—now stretches beneath it. Two-earner households have become the norm, cushioning the economic blow of many layoffs. And of course, relationships between men and women have evolved. Yet when read today, large parts of Komarovsky’s book still seem disconcertingly up-to-date. All available evidence suggests that long bouts of unemployment—particularly male unemployment—still enfeeble the jobless and warp their families to a similar degree, and in many of the same ways. 

Andrew Oswald, an economist at the University of Warwick, in the U.K., and a pioneer in the field of happiness studies, says no other circumstance produces a larger decline in mental health and well-being than being involuntarily out of work for six months or more. It is the worst thing that can happen, he says, equivalent to the death of a spouse, and “a kind of bereavement” in its own right. Only a small fraction of the decline can be tied directly to losing a paycheck, Oswald says; most of it appears to be the result of a tarnished identity and a loss of self-worth. Unemployment leaves psychological scars that remain even after work is found again, and, because the happiness of husbands and the happiness of wives are usually closely related, the misery spreads throughout the home. 

Especially in middle-aged men, long accustomed to the routine of the office or factory, unemployment seems to produce a crippling disorientation. At a series of workshops for the unemployed that I attended around Philadelphia last fall, the participants were overwhelmingly male, and the men in particular described the erosion of their identities, the isolation of being jobless, and the indignities of downward mobility. 

Over lunch I spoke with one attendee, Gus Poulos, a Vietnam-era veteran who had begun his career as a refrigeration mechanic before going to night school and becoming an accountant. He is trim and powerfully built, and looks much younger than his 59 years. For seven years, until he was laid off in December 2008, he was a senior financial analyst for a local hospital. 

Poulos said that his frustration had built and built over the past year. “You apply for so many jobs and just never hear anything,” he told me. “You’re one of my few interviews. I’m just glad to have an interview with anybody, even a magazine.” Poulos said he was an optimist by nature, and had always believed that with preparation and hard work, he could overcome whatever life threw at him. But sometime in the past year, he’d lost that sense, and at times he felt aimless and adrift. “That’s never been who I am,” he said. “But now, it’s who I am.” 

Recently he’d gotten a part-time job as a cashier at Walmart, for $8.50 an hour. “They say, ‘Do you want it?’ And in my head, I thought, ‘No.’ And I raised my hand and said, ‘Yes.’” Poulos and his wife met when they were both working as supermarket cashiers, four decades earlier—it had been one of his first jobs. “Now, here I am again.” 

Poulos’s wife is still working—she’s a quality-control analyst at a food company—and that’s been a blessing. But both are feeling the strain, financial and emotional, of his situation. She commutes about 100 miles every weekday, which makes for long days. His hours at Walmart are on weekends, so he doesn’t see her much anymore and doesn’t have much of a social life. 

Some neighbors were at the Walmart a couple of weeks ago, he said, and he rang up their purchase. “Maybe they were used to seeing me in a different setting,” he said—in a suit as he left for work in the morning, or walking the dog in the neighborhood. Or “maybe they were daydreaming.” But they didn’t greet him, and he didn’t say anything. He looked down at his soup, pushing it around the bowl with his spoon for a few seconds before looking back up at me. “I know they knew me,” he said. “I’ve been in their home.” 

The weight of this recession has fallen most heavily upon men, who’ve suffered roughly three-quarters of the 8 million job losses since the beginning of 2008. Male-dominated industries (construction, finance, manufacturing) have been particularly hard-hit, while sectors that disproportionately employ women (education, health care) have held up relatively well. In November, 19.4 percent of all men in their prime working years, 25 to 54, did not have jobs, the highest figure since the Bureau of Labor Statistics began tracking the statistic in 1948. At the time of this writing, it looks possible that within the next few months, for the first time in U.S. history, women will hold a majority of the country’s jobs. 

In this respect, the recession has merely intensified a long-standing trend. Broadly speaking, the service sector, which employs relatively more women, is growing, while manufacturing, which employs relatively more men, is shrinking. The net result is that men have been contributing a smaller and smaller share of family income. 

“Traditional” marriages, in which men engage in paid work and women in homemaking, have long been in eclipse. Particularly in blue-collar families, where many husbands and wives work staggered shifts, men routinely handle a lot of the child care today. Still, the ease with which gender bends in modern marriages should not be overestimated. When men stop doing paid work—and even when they work less than their wives—marital conflict usually follows. 

Last March, the National Domestic Violence Hotline received almost half again as many calls as it had one year earlier; as was the case in the Depression, unemployed men are vastly more likely to beat their wives or children. More common than violence, though, is a sort of passive-aggressiveness. In Identity Economics, the economists George Akerloff and Rachel Kranton find that among married couples, men who aren’t working at all, despite their free time, do only 37 percent of the housework, on average. And some men, apparently in an effort to guard their masculinity, actually do less housework after becoming unemployed. 

Many working women struggle with the idea of partners who aren’t breadwinners. “We’ve got this image of Archie Bunker sitting at home, grumbling and acting out,” says Kathryn Edin, a professor of public policy at Harvard, and an expert on family life. “And that does happen. But you also have women in whole communities thinking, ‘This guy’s nothing.’” Edin’s research in low-income communities shows, for instance, that most working women whose partner stayed home to watch the kids—while very happy with the quality of child care their children’s father provided—were dissatisfied with their relationship overall. “These relationships were often filled with conflict,” Edin told me. Even today, she says, men’s identities are far more defined by their work than women’s, and both men and women become extremely uncomfortable when men’s work goes away. 

The national divorce rate fell slightly in 2008, and that’s not unusual in a recession: divorce is expensive, and many couples delay it in hard times. But joblessness corrodes marriages, and makes divorce much more likely down the road. According to W. Bradford Wilcox, the director of the National Marriage Project at the University of Virginia, the gender imbalance of the job losses in this recession is particularly noteworthy, and—when combined with the depth and duration of the jobs crisis—poses “a profound challenge to marriage,” especially in lower-income communities. It may sound harsh, but in general, he says, “if men can’t make a contribution financially, they don’t have much to offer.” Two-thirds of all divorces are legally initiated by women. Wilcox believes that over the next few years, we may see a long wave of divorces, washing no small number of discarded and dispirited men back into single adulthood. 

Among couples without college degrees, says Edin, marriage has become an “increasingly fragile” institution. In many low-income communities, she fears it is being supplanted as a social norm by single motherhood and revolving-door relationships. As a rule, fewer people marry during a recession, and this one has been no exception. But “the timing of this recession coincides with a pretty significant cultural change,” Edin says: a fast-rising material threshold for marrying, but not for having children, in less affluent communities. 

Edin explains that poor and working-class couples, after seeing the ravages of divorce on their parents or within their communities, have become more hesitant to marry; they believe deeply in marriage’s sanctity, and try to guard against the possibility that theirs will end in divorce. Studies have shown that even small changes in income have significant effects on marriage rates among the poor and the lower-middle class. “It’s simply not respectable to get married if you don’t have a job—some way of illustrating to your neighbors that you have at least some grasp on some piece of the American pie,” Edin says. Increasingly, people in these communities see marriage not as a way to build savings and stability, but as “a symbol that you’ve arrived.” 

Childbearing is the opposite story. The stigma against out-of-wedlock children has by now largely dissolved in working-class communities—more than half of all new mothers without a college degree are unmarried. For both men and women in these communities, children are commonly seen as a highly desirable, relatively low-cost way to achieve meaning and bolster identity—especially when other opportunities are closed off. Christina Gibson-Davis, a public-policy professor at Duke University, recently found that among adults with no college degree, changes in income have no bearing at all on rates of childbirth. 

“We already have low marriage rates in low-income communities,” Edin told me, “including white communities. And where it’s really hitting now is in working-class urban and rural communities, where you’re just seeing astonishing growth in the rates of nonmarital childbearing. And that would all be fine and good, except these parents don’t stay together. This may be one of the most devastating impacts of the recession.” 

Many children are already suffering in this recession, for a variety of reasons. Among poor families, nutrition can be inadequate in hard times, hampering children’s mental and physical development. And regardless of social class, the stresses and distractions that afflict unemployed parents also afflict their kids, who are more likely to repeat a grade in school, and who on average earn less as adults. Children with unemployed fathers seem particularly vulnerable to psychological problems. 

But a large body of research shows that one of the worst things for children, in the long run, is an unstable family. By the time the average out-of-wedlock child has reached the age of 5, his or her mother will have had two or three significant relationships with men other than the father, and the child will typically have at least one half sibling. This kind of churning is terrible for children—heightening the risks of mental-health problems, troubles at school, teenage delinquency, and so on—and we’re likely to see more and more of it, the longer this malaise stretches on. 

“We could be headed in a direction where, among elites, marriage and family are conventional, but for substantial portions of society, life is more matriarchal,” says Wilcox. The marginalization of working-class men in family life has far-reaching consequences. “Marriage plays an important role in civilizing men. They work harder, longer, more strategically. They spend less time in bars and more time in church, less with friends and more with kin. And they’re happier and healthier.” 

Communities with large numbers of unmarried, jobless men take on an unsavory character over time. Edin’s research team spent part of last summer in Northeast and South Philadelphia, conducting in-depth interviews with residents. She says she was struck by what she saw: “These white working-class communities—once strong, vibrant, proud communities, often organized around big industries—they’re just in terrible straits. The social fabric of these places is just shredding. There’s little engagement in religious life, and the old civic organizations that people used to belong to are fading. Drugs have ravaged these communities, along with divorce, alcoholism, violence. I hang around these neighborhoods in South Philadelphia, and I think, ‘This is beginning to look like the black inner-city neighborhoods we’ve been studying for the past 20 years.’ When young men can’t transition into formal-sector jobs, they sell drugs and drink and do drugs. And it wreaks havoc on family life. They think, ‘Hey, if I’m 23 and I don’t have a baby, there’s something wrong with me.’ They’re following the pattern of their fathers in terms of the timing of childbearing, but they don’t have the jobs to support it. So their families are falling apart—and often spectacularly.” 

In his 1996 book, When Work Disappears, the Harvard sociologist William Julius Wilson connected the loss of jobs from inner cities in the 1970s to the many social ills that cropped up after that. “The consequences of high neighborhood joblessness,” he wrote, 

are more devastating than those of high neighborhood poverty. A neighborhood in which people are poor but employed is different from a neighborhood in which many people are poor and jobless. Many of today’s problems in the inner-city ghetto neighborhoods—crime, family dissolution, welfare, low levels of social organization, and so on—are fundamentally a consequence of the disappearance of work.

 

In the mid-20th century, most urban black men were employed, many of them in manufacturing. But beginning in the 1970s, as factories moved out of the cities or closed altogether, male unemployment began rising sharply. Between 1973 and 1987, the percentage of black men in their 20s working in manufacturing fell from roughly 37.5 percent to 20 percent. As inner cities shed manufacturing jobs, men who lived there, particularly those with limited education, had a hard time making the switch to service jobs. Service jobs and office work of course require different interpersonal skills and different standards of self-presentation from those that blue-collar work demands, and movement from one sector to the other can be jarring. What’s more, Wilson’s research shows, downwardly mobile black men often resented the new work they could find, and displayed less flexibility on the job than, for instance, first-generation immigrant workers. As a result, employers began to prefer hiring women and immigrants, and a vicious cycle of resentment, discrimination, and joblessness set in. 

It remains to be seen whether larger swaths of the country, as male joblessness persists, will eventually come to resemble the inner cities of the 1970s and ’80s. In any case, one of the great catastrophes of the past decade, and in particular of this recession, is the slippage of today’s inner cities back toward the depths of those brutal years. Urban minorities tend to be among the first fired in a recession, and the last rehired in a recovery. Overall, black unemployment stood at 15.6 percent in November; among Hispanics, that figure was 12.7 percent. Even in New York City, where the financial sector, which employs relatively few blacks, has shed tens of thousands of jobs, unemployment has increased much faster among blacks than it has among whites. 

In June 1999, the journalist Ellis Cose wrote in Newsweek that it was then “the best time ever” to be black in America. He ticked through the reasons: employment was up, murders and out-of-wedlock births down; educational attainment was rising, and poverty less common than at any time since 1967. Middle-class black couples were slowly returning to gentrifying inner-city neighborhoods. “Even for some of the most persistently unfortunate—uneducated black men between 16 and 24—jobs are opening up,” Cose wrote. 

But many of those gains are now imperiled. Late last year, unemployment among black teens ages 16 to 19 was nearly 50 percent, and the unemployment rate for black men age 20 or older was almost 17 percent. With so few jobs available, Wilson told me, “many black males will give up and drop out of the labor market, and turn more to the underground economy. And it will be very difficult for these people”—especially those who acquire criminal records—“to reenter the labor market in any significant way.” Glen Elder, the sociologist at the University of North Carolina, who’s done field work in Baltimore, said, “At a lower level of skill, if you lose a job and don’t have fathers or brothers with jobs—if you don’t have a good social network—you get drawn back into the street. There’s a sense in the kids I’ve studied that they lost everything they had, and can’t get it back.” 

In New York City, 18 percent of low-income blacks and 26 percent of low-income Hispanics reported having lost their job as a result of the recession in a July survey by the Community Service Society. More still had had their hours or wages reduced. About one in seven low-income New Yorkers often skipped meals in 2009 to save money, and one in five had had the gas, electricity, or telephone turned off. Wilson argues that once neighborhoods become socially dysfunctional, it takes a long period of unbroken good times to undo the damage—and they can backslide very quickly and steeply. “One problem that has plagued the black community over the years is resignation,” Wilson said—a self-defeating “set of beliefs about what to expect from life and how to respond,” passed from parent to child. “And I think there was sort of a feeling that norms of resignation would weaken somewhat with the Obama election. But these hard economic times could reinforce some of these norms.” 

Wilson, age 74, is a careful scholar, who chooses his words precisely and does not seem given to overstatement. But he sounded forlorn when describing the “very bleak” future he sees for the neighborhoods that he’s spent a lifetime studying. There is “no way,” he told me, “that the extremely high jobless rates we’re seeing won’t have profound consequences for the social organization of inner-city neighborhoods.” Neighborhood-specific statistics on drug addiction, family dysfunction, gang violence, and the like take time to compile. But Wilson believes that once we start getting detailed data on the conditions of inner-city life since the crash, “we’re going to see some horror stories”—and in many cases a relapse into the depths of decades past. “The point I want to emphasize,” Wilson said, “is that we should brace ourselves.” 

The Social Fabric

 

No one tries harder than the jobless to find silver linings in this national economic disaster. Many of the people I spoke with for this story said that unemployment, while extremely painful, had improved them in some ways: they’d become less materialistic and more financially prudent; they were using free time to volunteer more, and were enjoying that; they were more empathetic now, they said, and more aware of the struggles of others. 

In limited respects, perhaps the recession will leave society better off. At the very least, it’s awoken us from our national fever dream of easy riches and bigger houses, and put a necessary end to an era of reckless personal spending. Perhaps it will leave us humbler, and gentler toward one another, too—at least in the long run. A recent paper by the economists Paola Giuliano and Antonio Spilimbergo shows that generations that endured a recession in early adulthood became more concerned about inequality and more cognizant of the role luck plays in life. And in his book, Children of the Great Depression, Glen Elder wrote that adolescents who experienced hardship in the 1930s became especially adaptable, family-oriented adults; perhaps, as a result of this recession, today’s adolescents will be pampered less and counted on for more, and will grow into adults who feel less entitled than recent generations. 

But for the most part, these benefits seem thin, uncertain, and far off. In The Moral Consequences of Economic Growth, the economic historian Benjamin Friedman argues that both inside and outside the U.S., lengthy periods of economic stagnation or decline have almost always left society more mean-spirited and less inclusive, and have usually stopped or reversed the advance of rights and freedoms. A high level of national wealth, Friedman writes, “is no bar to a society’s retreat into rigidity and intolerance once enough of its citizens lose the sense that they are getting ahead.” When material progress falters, Friedman concludes, people become more jealous of their status relative to others. Anti-immigrant sentiment typically increases, as does conflict between races and classes; concern for the poor tends to decline. 

Social forces take time to grow strong, and time to dissipate again. Friedman told me that the phenomenon he’s studied “is not about business cycles … It’s not about people comparing where they are now to where they were a year ago.” The relevant comparisons are much broader: What opportunities are available to me, relative to those of my parents? What opportunities do my children have? What is the trajectory of my career? 

It’s been only about two years since this most recent recession started, but then again, most people hadn’t been getting ahead for a decade. In a Pew survey in the spring of 2008, more than half of all respondents said that over the past five years, they either hadn’t moved forward in life or had actually fallen backward, the most downbeat assessment that either Pew or Gallup has ever recorded, in nearly a half century of polling. Median household income in 2008 was the lowest since 1997, adjusting for inflation. “On the latest income data,” Friedman said, “we’re 11 years into a period of decline.” By the time we get out of the current downturn, we’ll likely be “up to a decade and a half. And that’s surely enough.” 

Income inequality usually falls during a recession, and the economist and happiness expert Andrew Clark says that trend typically provides some emotional salve to the poor and the middle class. (Surveys, lab experiments, and brain readings all show that, for better or worse, schadenfreude is a powerful psychological force: at any fixed level of income, people are happier when the income of others is reduced.) But income inequality hasn’t shrunk in this recession. In 2007–08, the most recent year for which data is available, it widened. 

Indeed, this period of economic weakness may reinforce class divides, and decrease opportunities to cross them—especially for young people. The research of Till Von Wachter, the economist at Columbia University, suggests that not all people graduating into a recession see their life chances dimmed: those with degrees from elite universities catch up fairly quickly to where they otherwise would have been if they’d graduated in better times; it’s the masses beneath them that are left behind. Princeton’s 2009 graduating class found more jobs in financial services than in any other industry. According to Princeton’s career-services director, Beverly Hamilton-Chandler, campus visits and hiring by the big investment banks have been down, but that decline has been partly offset by an uptick in recruiting by hedge funds and boutique financial firms. 

In the Internet age, it is particularly easy to see the bile that has always lurked within American society. More difficult, in the moment, is discerning precisely how these lean times are affecting society’s character. In many respects, the U.S. was more socially tolerant entering this recession than at any time in its history, and a variety of national polls on social conflict since then have shown mixed results. Signs of looming class warfare or racial conflagration are not much in evidence. But some seeds of discontent are slowly germinating. The town-hall meetings last summer and fall were contentious, often uncivil, and at times given over to inchoate outrage. One National Journal poll in October showed that whites (especially white men) were feeling particularly anxious about their future and alienated by the government. We will have to wait and see exactly how these hard times will reshape our social fabric. But they certainly will reshape it, and all the more so the longer they extend. 

A slowly sinking generation; a remorseless assault on the identity of many men; the dissolution of families and the collapse of neighborhoods; a thinning veneer of national amity—the social legacies of the Great Recession are still being written, but their breadth and depth are immense. As problems, they are enormously complex, and their solutions will be equally so. 

Of necessity, those solutions must include measures to bolster the economy in the short term, and to clear the way for faster long-term growth; to support the jobless today, and to ensure that we are creating the kinds of jobs (and the kinds of skills within the population) that can allow for a more broadly shared prosperity in the future. A few of the solutions—like more-aggressive support for the unemployed, and employer tax credits or other subsidies to get people back to work faster—are straightforward and obvious, or at least they should be. Many are not. 

At the very least, though, we should make the return to a more normal jobs environment an unflagging national priority. The stock market has rallied, the financial system has stabilized, and job losses have slowed; by the time you read this, the unemployment rate might be down a little. Yet the difference between “turning the corner” and a return to any sort of normalcy is vast. 

We are in a very deep hole, and we’ve been in it for a relatively long time already. Concerns over deficits are understandable, but in these times, our bias should be toward doing too much rather than doing too little. That implies some small risk to the government’s ability to continue borrowing in the future; and it implies somewhat higher taxes in the future too. But that seems a trade worth making. We are living through a slow-motion social catastrophe, one that could stain our culture and weaken our nation for many, many years to come. We have a civic—and indeed a moral—responsibility to do everything in our power to stop it now, before it gets even worse. 

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The Two Faces of Michael Mukasey

Posted by steveneidman on February 15, 2010

Michael Mukasey: Then and now

To promote his partisan fear-mongering attacks, the former Judge invokes the very arguments he once scorned

Glenn Greenwald

Former Bush Attorney General Michael Mukasey has become the leading spokesman for a Cheneyite national security attack, which relies on scaring Americans into believing that Obama is endangering their lives in those rare instances when he deviates from Bush’s Terrorism approach.  Toward that end, Mukasey has yet another fear-mongering Op-Ed, this time on today’s oh-so-liberal Washington Post Op-Ed Page (along side Michael Gerson’s stirring tribute to the virtues of GITMO, Bill Kristol’s call for regime change in Iran, a warning from Blackstone Chairman Steven Schwarzman to stop being so mean to banks, and a Charles Krauthammer column blaming Obama for something or other).  Mukasey specifically accuses the Obama administration of losing valuable intelligence by allowing Abdudlmutallab access to a lawyer, and insists that the accused Christmas Day bomber had no constitutional rights because — despite his being detained in the U.S. — he is merely an “enemy combatant.” 

But when Mukasey was a federal judge, he made the opposite arguments.  In 2002, the Bush administration detained Jose Padilla at Chicago’s O’Hare Airport, publicly labeled him The Dirty Bomber, declared him an “enemy combatant,” transferred him to military custody, and refused to charge him or even to allow him access to a lawyer.  When a lawsuit was brought on Padilla’s behalf, Mukasey was the assigned judge, and he ordered the Bush administration to allow Padilla access to a lawyer.  When the Bush administration dithered and basically refused (asking Mukasey to reconsider), Mukasey issued a lengthy Opinion and Order threatening to impose the conditions himself and explaining that Padilla’s constitutional right to a lawyer was clear and nonnegotiable.  So resounding was Mukasey’s defense of Padilla’s right to a lawyer that, when he was initially nominated as Attorney General, many anti-Bush legal analystsincluding me — cited Mukasey’s ruling in Padilla to argue that he was one of the better choices given the other right-wing alternatives.  Indeed, I analyzed his decision in Padilla at length to argue that, at least in that case, Mukasey “displayed an impressive allegiance to the rule of law and constitutional principles over fealty to claims of unlimited presidential power,” and that he “was more than willing to defy the Bush administration and not be intimidated by threats that enforcing the rule of law would prevent the President from stopping the Terrorists.” 

What’s most striking is that, in the Padilla case, Mukasey emphatically rejected the very arguments he is now making to attack Obama.  The Bush DOJ repeatedly insisted that Mukasey — by allowing Padilla access to a lawyer — would destroy their ability to interrogate him and obtain life-saving intelligence, thus endangering all Americans.  As Mukasey put it:  the Bush DOJ is “none too subtle in cautioning this court against going too far in the protection of this detainee’s rights, suggesting at one point that permitting Padilla to consult with a lawyer ‘risks that plans for future attacks will go undetected‘.”  Incredibly, that argument — which Mukasey decisively rejected back then — is exactly the one he’s now making against Obama.  Listen to what the Bush administration told Mukasey in demanding that he withdraw his order directing that Padilla be given access to a lawyer — this is what Mukasey quoted from a Bush DOJ brief and refused to embrace back then: 

DIA’s approach to interrogation is largely dependent upon creating an atmosphere of dependency and trust between the subject and the interrogator. Developing the kind of relationship of trust and dependency necessary for effective interrogations is a process that can take a significant amount of [redacted]. There are numerous examples of situations where interrogators have been unable to obtain valuable intelligence from a subject until months, or even years, after the interrogation process began. 

Anything that threatens the perceived dependency and trust between the subject and interrogator directly threatens the value of interrogation as an intelligence-gathering tool. Even seemingly minor interruptions can have profound psychological impacts on the delicate subject-interrogator relationship. Any insertion of counsel into the subject-interrogator relationship, for example — even if only for a limited duration or for a specific purpose — can undo months of work and may permanently shut down the interrogation process. Therefore, it is critical to minimize external influences on the interrogation process. . . .
 

Permitting Padilla any access to counsel may substantially harm our national security interests. As with most detainees, Padilla is unlikely to cooperate if he believes that an attorney will intercede in his detention. . . . Any such delay in Padilla’s case risks that plans for future attacks will go undetected during that period, and that whatever information Padilla may eventually provide will be outdated and more difficult to corroborate. 

 

Mukasey dismissed all of those fear-mongering claims as speculative hyperbole, and explicitly told the Bush DOJ:  “if the government had permitted Padilla to consult with counsel at the outset, this matter would have been long since decided in this court” — i.e., Mukasey told the Bush DOJ that the dilemma was its own doing because it should have allowed Padilla access to counsel from the start.  Yet in order to try to convince Americans now that Obama is endangering their lives by allowing Abdulmutallab access to counsel, Mukasey resorts to the very fear-mongering that he long ago rejected.  That’s called being a dishonest hack of the lowest order. 

More dishonestly still, Mukasey in today’s Op-Ed claims that he ordered Padilla to have access to counsel only “as a convenience to the court and not for any constitutionally based reason,” and only because Padilla (unlike Abdulmutallab) was a U.S. citizen.  Both of those excuses are blatantly and demonstrably false.  The whole legal basis for Mukasey’s ruling was that (1) he would order Padilla to have access to counsel even if he had believed Bush’s fear-mongering claims because Padilla had a constitutional right to counsel; and (2) the basis for that right is not that Padilla is a citizen, but rather, that all “persons” on U.S. soil have that right.  Just listen to what the Mukasey back then said in order to see how blatantly dishonest the Mukasey of today is (emphasis added): 

Even if the predictions [of the Bush DOJ] were reliably more certain than they in fact are, I would not be free simply to take the counsel of Admiral Jacoby’s fears, however well founded and sincere, and on that basis alone deny Padilla access to a lawyer. There is no dispute that Padilla has the right to bring this petition, and, for the reasons set forth in the Opinion, the statute makes it plain that he has the right to present facts if he chooses to do so. . . . 

Arbitrary deprivation of liberty violates the Due Process Clause, Foucha v. Louisiana, 504 U.S. 71, 80 (1992), which “applies to all ‘persons’ within the United States,” Zadvydas v. Davis, 533 U.S. 678, 693 (2001). . . . [U]nless he has the opportunity to make a submission, this court cannot do what the applicable statutes and the Due Process Clause require it to do: confirm what frankly appears likely from the Mobbs Declaration but cannot be certain if based only on the Mobbs Declaration — that Padilla’s detention is not arbitrary, and that, because his detention is not arbitrary, the President is exercising a power vouchsafed to him by the Constitution. . . . 

The Court in Hamdi took pains to point out that its holding was limited to “the specific context before us — that of the undisputed detention of a citizen during a combat operation undertaken in a foreign country and a determination by the executive that the citizen was allied with enemy forces.” Hamdi, 316 F.3d at 465.  That wise restraint is well worth following in this case by recognizing explicitly the limits of the current holding, and thereby recognizing as well the contrast between this case and Hamdi. Unlike Hamdi, Padilla was detained in this country, and initially by law enforcement officers pursuant to a material witness warrant. He was not captured on a foreign battlefield by soldiers in combat. The prospect of courts second-guessing battlefield decisions, which they have resolutely refused to do, e.g., id. at 474; cf. Stencel Aero Eng’g Corp. v. United States, 431 U.S. 666, 673 (1977), does not loom in this case. 

 

It’s true that this decision did not address the question of Miranda warnings, but the point is that Mukasey’s reasoning there directly negates what he is now arguing.  Based on those two findings — that (1) there was no clear evidence that allowing access to a lawyer would jeopardize intelligence-gathering and, even if there were, it wouldn’t matter, because (2) Padilla, as someone detained on U.S. soil., had a constitutional right to a lawyer — Mukasey ordered the Bush DOJ to comply with his directive in unusually strong language: 

Lest any confusion remain, this is not a suggestion or a request that Padilla be permitted to consult with counsel, and it is certainly not an invitation to conduct a further “dialogue” about whether he will be permitted to do so. It is a ruling — a determination — that he will be permitted to do so. 

 

Note, too, that Mukasey insisted that courts have the constitutional obligation to ensure that presidential-ordered detentions “are not arbitrary,” a claim both the Bush administration and now the Obama administration, in some circumstances, vigorously contests. 

This entire Miranda/Abdulmutallab controversy has been rife with deliberate misconceptions from the start: 

  • the inane notion that super-dangerous Terrorists innocently believe that they’re required to spill their guts if they aren’t given Miranda warnings (recall that the premise of Bush officials, including Mukasey, is that Terrorists are so hardened and Evil that they have to be tortured to get them to speak; the very idea that they would feel compelled to answer all questions unless told they did not have to is laughable on its face);
  • the empirically false claim that defendants stop co-operating — and that interrogations must stop — once they are Mirandized (huge amounts of co-operation from the accused occur once they’ve been Mirandized and have lawyers);
  • the invented allegation that Abdulmutallab was speaking freely until he was Mirandized, at which point he stopped talking;
  • the obviously misleading suggestion that it’s easier to interrogate and convict Terrorists in a military commission system than in civilian courts (the exact opposite has been true, by far); and,
  • the dishonest implication that we somehow lost something by Mirandizing and trying Richard Reid in our civilian court system, which sentenced him to life in prison with little effort, in contrast to the debacles produced by the military commission system).  

 

The ignorance of media stars about these issues allows fear-mongering politicians to make these claims over and over without challenge (although see Savannah Guthrie’s impressively aggressive, well-informed and effective interrogation of Sen. Kit Bond about this case: it’s the exception that proves the rule, and illustrates what effective adversarial journalism can accomplish).  And much of this is the fault of the Obama administration:  because they themselves have embraced the Bush/Cheney policies of military commissions and indefinite detentions, they’re incapable of articulating any coherent principle why civilian trials are needed, and are instead reduced to the pitiful spectacle of relying on a “Bush-did-it-too” defense to try to show that they’re sufficiently “tough on Terror” (as though the same administration which Obama spent two years depicting as radical, destructive and lawless is the standard-bearer for how Terrorists should be handled). 

Still, Mukasey’s dishonesty is worse than the standard political/media freak show, both because he knows better and because (as a judge) he renounced the very myths which (as a hardened right-wing partisan) he is now disseminating.  He has become a leading practitioner of the hysterical fear-mongering he once rightly scorned. 

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Long-time commenter DCLaw1 has rejuvinated his excellent blog, InsideOutTheBeltway, and has a typically insightful post on how the media has re-cycled blatant myths — grounded in sheer ignorance — about Miranda and Abdulmutallab. 

 

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